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HomeArchiveWorkshop Archive MAKING MOLDS FOR CERAMICS | Paolo Iori
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CERAMIC MAZE: THE GLAZES | Vilma Bosi

MAKING MOLDS FOR CERAMICS | Paolo Iori

€490.00

21-22-23 June 2019

To reproduce a shape for large or small productions, but also to create unique objects starting from a mold for collecting or to print by hand, simplifying the manufacturing processes; is the dream of many potters.
The artist and teacher Paolo Iori will present in an effective, simple and creative form a program for the production of multi-part molds for casting and pressure molding. It will appear from the idea and from a personal project to develop a model that will be analyzed in order to later realize the own mold.

Paolo Iori
Paolo Iori was trained in Sesto Fiorentino with the masters Bruschi and Gigli, who gave them the opportunity to learn precise and elaborate forming techniques, for the manufacture of plaster models and molds. In parallel Iori develops his personal artistic path, which began in London and continued with exhibitions in Japan, Belgium and Italy. He currently works in Belgium and works with artists, art schools for training courses, and designers for creating prototypes on very specific projects. Among them, the “École supérieur des arts visuels” of the Cambre in Brussels, the Academie Royale des beaux arts in Brussels, and the “Center culturelle” in Andenne, “Keramis” at the Louviere.

The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.

Included in the Workshop cost:
20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop

Teacher:  Paolo Iori
Translator and assistant: Martha Pachon
Languages: English, Italian, French, Spanish

Download the CV of Paolo Iori
Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

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    DYNAMIC PORCELAIN | Martha Pachon

    22-23-24 February 2019

    Multitechnic Course of Body and Slip Porcelain 

    Inspired by the new developments of contemporary ceramics, both utilitarian and decorative, sculptural or any application that can be made of this precious material, this course is structured as a laboratory of "multiprocesses" to know and master the basic techniques of slip and body porcelain. Understanding porcelain in a practical, direct, easy and fast way will be the goal of this course. Participants will have at their disposal different techniques, some simple and other complex, with and without the use of molds, with the possibility of glazing also in single firing, with theoretical chapter dedicated in detail to all the questions regarding porcelain: drying, breakage, deformation, firing curves, etc.

    THE PARTICIPANTS, BEYOND TO BRING HIS FINISHED WORKS TO HOME, WILL HAVE THE RIGHT KNOWLEDGE OF ALL THE RESOURCES IN THE FIELD OF THE PORCELAIN: ITS QUALITY OF TRANSPARENCY, RESISTANCE, REFINEMENT AND WITHOUT GOING CRAZY!

    The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.

    Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop

    Teacher: Martha Pachon Languages: English, Italian, French, Spanish

    Download the full program in pdf

    To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

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    Discovering Porcelain 2

    6, 7 and 8 July 2018

    Basic Course of slip and body porcelain and its transparency

    PORCELAIN is a material that requires a prolonged, precise and very accurate processing to obtain pieces of exquisite beauty. The different techniques faced with this material allow us to highlight two important qualities, TRANSPARENCY and SMOTHY to the touch.

    This course allows you to develop simple basic techniques, all tricks to avoid cracks, breakages, deformations, the secrets to recover a broken piece, the knowledge of the correct drying and the different firing curves.

    We would use body and slip porcelain with and without the use of single and double-fired molds. The purpose is to ENHANCE CREATIVITY WITH THE RIGHT KNOWLEDGE OF ALL RESOURCES IN THE FIELD OF PORCELAIN AND ITS QUALITY OF TRANSPARENCY AND WITHOUT GOING CRAZY!

    Program: - Fully practical lessons with a theoretical chapter for basic technology: - Preparation of the slip and body porcelain recipe and percentages. - Slip casting porcelain methods with and without molds. - Methods of achieving transparency. - Method of constructions with slabs or small fragments. - Precautions in drying, firing and finishing. - How to obtain smooth surfaces. - How to glaze with simple means. - How to recover broken or craked pieces. - Firing curves and how to place fragile pieces in the kiln, use of alumina. - Corrections after biscuit and finishing after last firing. The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday. Teacher: Martha Pachon Languages: English, Italian, French, Spanish Download the application form in pdf Download the program in pdf
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    Jasper and Neriage

    6, 7 and 8 April 2018

    Slip porcelain and body porcelain in one piece

    Two techniques distant in time and in geography, one technique, with slip porcelain and another with body porcelain, come together in a complex but fascinating technique with a wide variety of applications, from the unique piece to small series. To make the most of the potential of these techniques: Jasper and Nerikomi, the students will perform different exercises to get to know their fragility, strength and refinement. All the process and derivations for applications to different kind of objects, corrections of cracks, breakages and deformation.

    Program: - Totally practical lessons with a theoretical chapter by technology. - Preparation of colored slip porcelain, recipe and percentages. - Preparation of colored body porcelain, recipe and percentages. - Creation of small pieces with different color combinations. - Methods of creating organic or geometric motifs. - Methods of including one technique on the other. - Surface finishing method. - Biscuit firing. - Finishing and corrections after biscuit firing. - Methods of positioning of the pieces into the kiln for high firing. Special features to avoid deformation and breakage. - Finishing and corrections after the last firing.

    The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.

    Teacher: Martha Pachon

    Download the application form in pdf Download the program in pdf

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    CERAMIC MAZE: THE CLAYS | Vilma Bosi

    €250.00

    09-10 Febbraio 2019

    Imparare le tecniche di foggiatura e la cottura delle terre

    Quando ci si avvicina al mondo della ceramica spesso si incontrano le prime difficoltà già nella fase di modellazione proprio per mancanza di competenze nelle tecniche di foggiatura dei manufatti. Gli impasti ceramici e le argille possono essere lavorati in diversi modi e in questo corso di base ci proponiamo di introdurvi ad alcune delle tecniche fondamentali come il colombino, la lastra, la stampatura e il colaggio.

    La scelta del tipo di argilla da impiegare ed individuare la migliore tecnica di modellazione per la produzione delle forme sarà di basilare importanza per avere successo nel portare a termine i vostri progetti ed evitare perdite di tempo e di denaro.

    Il corso non è finalizzato alla realizzazione di oggetti finiti ma si limita alla produzione in libertà di esperienze costruttive, tattili e di cottura sempre sotto la guida del docente.

    14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)

    Costo: 250.00€ Docente: Vilma Bosi Scarica il modulo d'iscrizione in formato pdf Scarica il programma in formato pdf
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    Full immersion in color

    03 and 04 September 2018

    From Jasper to Nerikomi in porcelain in two days

    One of the finest qualities of porcelain is its sensuality to the touch, plus the surface can be enriched with vibrant colors or sharp contrasts of black and white. There are ancient and complex techniques of the "Neriage"family which, in a modern way, allow you to express yourself through many aesthetic solutions, from a jewel, avessel, a sculpture, an object, or a complex installation. It will be the very intense and rich post-Argillà course,among the techniques dealt with: the Jasper, the Rainbow or Scala, the Zebra, the Nerikomi and the Mosaico with composite tiles.

    PROGRAMMA: - Preparation of colored porcelain bodies, recipes and percentages and how to avoid the melting or deforming pieces. - Use of color both into the body and slip porcelain, tricks. - Preparation of shapes, cuts, joints, lines, drawings and compositions for all possible ancient Asian techniques revisited in contemporary way with modern and practical use. - Agate, Jasper, Mishima, Mosaic, Rainbow, Scala, Zebra and Nerikomi techniques. - Cleaning and tricks to avoid color contamination, air bubbles, deformations or cracks. - Preparation of colored slip porcelain and use. - Conformations with net black and white avoiding contaminations of one color with another. - With the use of the mold and without, application of the techniques learned. - How to install the colored pieces inside the kiln avoiding the attachment of the pieces or accidents. - Types of firing, low and high, firing curves for pieces built by colored mix techniques. - Finishes and corrections before firing, after first firing and even after the last high temperature firing. - Recipes and possibility of restoration of broken pieces. Teacher: Martha Pachon Languages: English, Italian, French, Spanish Download the application form in pdf Download the program in pdf
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    LA SINTERRACOTTA | Giovanni Cimatti

    30-31 March 2019

    Monocottura con gres a partire da 1050 gradi

    Una buona ceramica si distingue non solo per come è rivestita e la sua intrinseca arte ma sopratutto per il suo corpo che è forte e compatto quando è realizzata in gres. Oggi è possibile utilizzare un innovativo gres bianco, anche senza raggiungere la faticosa e costosa alta temperatura, ed avere la sinterizzazione di questa argilla in tutti i tipi di forni per ceramica.

    Durante il corso faremo anche esperienza di come sia possibile ridurre ulteriormente i costi facendo una cottura unica di argilla e smalti che viene infatti definita monocottura. Useremo un'argilla plastica che rende facile modellare qualsiasi tipo di forma e particolari medium per l'applicazione a pennello di rivestimenti che saranno campiti anche con l'impiego di maschere adesive. Sara possibile infine anche applicare, in seconda cottura a 900 gradi, un simpatico e innovativo smalto oro.

    Il corso di 14 ore inizia alle ore 9.00 e termina alle ore 17:00 del sabato e inizia alle ore 9:00 e termina alle ore 16.00 della domenica.

    Compreso nel corso:

    14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)

    Docente: Giovanni Cimatti Scarica il programma in formato pdf

    To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

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    The Pearl, from the beginning to the end

    22, 23 and 24 june 2018

    A complex and complete course to make the artist independent of creating large and small series of pearls for jewelery in various shapes, sizes and decorations. Making of molds, testing of slip and body porcelain, firing and decoration.

    The italian mold expert Florio Bedeschi will be in charge of the first part of the course for the execution of small molds for pearls of different shapes and sizes.

    A second part related to the use of the mold with slip and body porcelain, to the firing and decoration, will be with Martha Pachón Rodríguez.

    PROGRAM:

    - Fully practical lessons with both teachers. - Preparation of the necessary materials for the construction of the mold. - Preparation of the plaster and its use in the making of the mold, preservation of the mold. - Use of slip and body porcelain with the plaster molds. - Methods of pearl decoration. - How to apply on molds, dry and fire avoiding deformations. - The pieces will be finished, decorated and fired.

    Teachers: Martha Pachon and Florio Bedeschi Languages: English, Italian, French, Spanish

    Download the application form in pdf Download the program in pdf

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    In search of movement with Paula Bastiaansen

    21, 22 and 23 September 2018

    A workshop in search of movement, rhythm, the absence of gravity, fragility and transparency. Paula Bastiaansen will show you the use of porcelain so light that this body will become almost immaterial.

    PROGRAM: - Conference and presentation of slides. - Demonstration of the working method. - Designing an object starting from a drawing. - Preparation and coloring of porcelain. - Preparation of extremely thin porcelain layers. - Cutting of the shapes and construction starting from the drawing. - Use of inlay and stoneware support in construction. - Drying and firing. The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.

    Teacher: Paula Bastiaansen Translator and Assistant: Martha Pachon Languages: English, Italian, French, Spanish, Dutch

    Dowload the Paula Bastiaansen CV

    Download the application form in pdf Download the full program in pdf

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    Faenza Art Ceramic Center

    Via Pana 34/1, 48018 Faenza (RA) – Italy
    Phone: +39 0546 46936
    Telefax: +39 0546 646106
    Email: info@facc-art.it
    Highlights
    • 12-13-14 November 2021
      MUSIC AND MOVEMENT OF PORCELAIN | Edna Oliver
      €450.00
    • 22-23-24-25-26 September 2021
      UNCONVENTIONAL HAND BUILDING WITH SLIP PORCELAIN | Martha Pachon
      €600.00
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