THREE-DIMENSIONAL PHOTOGRAPHY | Sara Dario
10-11-12-13 October 2025
Ceramic Screen Printing Course.
In this basic course, participants will take a first approach to screen printing and its use. They will have the opportunity to print on porcelain with screen printing frames engraved with pre-selected images.
The work will be plate-based and they will be able to create: a first two-dimensional work and one or more works of their own imagination. Students will be supervised from the first prints on porcelain to the design and realisation of a personal work.
The lessons are entirely practical in addition to a theoretical chapter, firings and materials and a FAQ (Frequently Asked Questions) session.
Sara Dario
He graduated from Venice Art School and graduated in Sculpture at the Academy of Fine Arts in Carrara. During his academic studies, he became interested in photography and printing techniques, not only traditional ones such as black and white and colour, but above all unconventional ones such as photogravure and photo serigraphy, printing on various materials and supports. His aesthetic quest is to combine sculpture and photography and thus give his images a body.
The 27-hour workshop lasts from 9.00 to 17.00 on Friday, Saturday and Sunday and from 9.00 to 16.00 on Monday.
Included in the Workshop cost:
27 hours of teaching | all the necessary materials | firings | nr. 4 brunch lunch | screen-printing frame
Teacher: Sara Dario
Languages: English and Italian
Download the full program in pdf
Download the CV of Sara Dario in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
Related products
Full immersion in color
03 and 04 September 2018
From Jasper to Nerikomi in porcelain in two days
One of the finest qualities of porcelain is its sensuality to the touch, plus the surface can be enriched with vibrant colors or sharp contrasts of black and white. There are ancient and complex techniques of the "Neriage"family which, in a modern way, allow you to express yourself through many aesthetic solutions, from a jewel, avessel, a sculpture, an object, or a complex installation. It will be the very intense and rich post-Argillà course,among the techniques dealt with: the Jasper, the Rainbow or Scala, the Zebra, the Nerikomi and the Mosaico with composite tiles.
PROGRAMMA: - Preparation of colored porcelain bodies, recipes and percentages and how to avoid the melting or deforming pieces. - Use of color both into the body and slip porcelain, tricks. - Preparation of shapes, cuts, joints, lines, drawings and compositions for all possible ancient Asian techniques revisited in contemporary way with modern and practical use. - Agate, Jasper, Mishima, Mosaic, Rainbow, Scala, Zebra and Nerikomi techniques. - Cleaning and tricks to avoid color contamination, air bubbles, deformations or cracks. - Preparation of colored slip porcelain and use. - Conformations with net black and white avoiding contaminations of one color with another. - With the use of the mold and without, application of the techniques learned. - How to install the colored pieces inside the kiln avoiding the attachment of the pieces or accidents. - Types of firing, low and high, firing curves for pieces built by colored mix techniques. - Finishes and corrections before firing, after first firing and even after the last high temperature firing. - Recipes and possibility of restoration of broken pieces. Teacher: Martha Pachon Languages: English, Italian, French, Spanish Download the application form in pdf Download the program in pdfIn search of movement with Paula Bastiaansen
21, 22 and 23 September 2018
A workshop in search of movement, rhythm, the absence of gravity, fragility and transparency. Paula Bastiaansen will show you the use of porcelain so light that this body will become almost immaterial.
PROGRAM: - Conference and presentation of slides. - Demonstration of the working method. - Designing an object starting from a drawing. - Preparation and coloring of porcelain. - Preparation of extremely thin porcelain layers. - Cutting of the shapes and construction starting from the drawing. - Use of inlay and stoneware support in construction. - Drying and firing. The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.Teacher: Paula Bastiaansen Translator and Assistant: Martha Pachon Languages: English, Italian, French, Spanish, Dutch
Dowload the Paula Bastiaansen CV
Download the application form in pdf Download the full program in pdf
Jasper and Neriage
6, 7 and 8 April 2018
Two techniques distant in time and in geography, one technique, with slip porcelain and another with body porcelain, come together in a complex but fascinating technique with a wide variety of applications, from the unique piece to small series. To make the most of the potential of these techniques: Jasper and Nerikomi, the students will perform different exercises to get to know their fragility, strength and refinement. All the process and derivations for applications to different kind of objects, corrections of cracks, breakages and deformation.
Program: - Totally practical lessons with a theoretical chapter by technology. - Preparation of colored slip porcelain, recipe and percentages. - Preparation of colored body porcelain, recipe and percentages. - Creation of small pieces with different color combinations. - Methods of creating organic or geometric motifs. - Methods of including one technique on the other. - Surface finishing method. - Biscuit firing. - Finishing and corrections after biscuit firing. - Methods of positioning of the pieces into the kiln for high firing. Special features to avoid deformation and breakage. - Finishing and corrections after the last firing.The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Teacher: Martha Pachon
Download the application form in pdf Download the program in pdf
Discovering Porcelain
23, 24 and 25 March 2018
PORCELAIN is a material that requires a prolonged, precise and very accurate processing to obtain pieces of exquisite beauty. The different techniques faced with this material allow us to highlight two important qualities, TRANSPARENCY and SMOTHY to the touch.
This course allows you to develop simple basic techniques, all tricks to avoid cracks, breakages, deformations, the secrets to recover a broken piece, the knowledge of the correct drying and the different firing curves.
We would use body and slip porcelain with and without the use of single and double-fired molds. The purpose is to ENHANCE CREATIVITY WITH THE RIGHT KNOWLEDGE OF ALL RESOURCES IN THE FIELD OF PORCELAIN AND ITS QUALITY OF TRANSPARENCY AND WITHOUT GOING CRAZY!
Program: - Fully practical lessons with a theoretical chapter for basic technology: - Preparation of the slip and body porcelain recipe and percentages. - Slip casting porcelain methods with and without molds - Methods of achieving transparency - Method of constructions with slabs or small fragments - Precautions in drying, firing and finishing - How to obtain smooth surfaces - How to glaze with simple means - How to recover broken or craked pieces - Firing curves and how to place fragile pieces in the kiln, use of alumina - Corrections after biscuit and finishing after last firing The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday. Teacher: Martha Pachon Download the application form in pdf Download the program in pdfTranslucent porcelain
17 and 18 March 2018
Transparency is one of the most important qualities of porcelain and usually, requires a prolonged, precise and very accurate processing to obtain a fine beauty piece highlighted by the translucenty. This course allows you to develop two simple and immediate techniques that will facilitate and strengthen creativity to develop many projects without the use of large resources and experience in the field of porcelain techniques. We will use slip porcelain without the use of molds and with a single-firing.
PROGRAM: Totally practical lessons, preparation of the material and basic forms. Use of slip porcelain and construction with two totally different techniques. Surface treatment, controlled drying and finishing. Methods to avoid deformation and breakage during the process and all the special features of the specific firing for this technique. Recover broken complex variations of the techniques and the surface with the use of color introduced into the slip the porcelain. Production of pieces to project in small series for use or decoration. pieces or cracks with specific recipe. Finally, more co. The 14-hour workshop lasts from 9.00 to 17.00 on Saturday and from 9.00 to 16.00 on Sunday. Teacher: Martha PachonPIT FIRE | Giovanni Cimatti
25-26 Maggio 2019
La ceramica affrontata a meta tra primitivo e contemporaneità per indagare nuovi stadi della postmodernità dove non è solo l'opera al centro ma sopratutto il modo con cui la si ottiene. Applicheremo terre sigillate per ottenere superfici lucide da sola argilla senza levigatura e cristalline inattese in questa tecnica.
Arriveranno, dopo la seconda cottura a legna, lagune di nerofumo su fondi bianchi, lustri di rosso rame in riduzione e cavilli anneriti a zona.
Il corso di 14 ore inizia alle ore 9.00 e termina alle ore 17:00 del sabato e inizia alle ore 9:00 e termina alle ore 16.00 della domenica.
Compreso nel corso:14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)
Docente: Giovanni Cimatti Scarica il programma in formato pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
The Pearl, from the beginning to the end
22, 23 and 24 june 2018
A complex and complete course to make the artist independent of creating large and small series of pearls for jewelery in various shapes, sizes and decorations. Making of molds, testing of slip and body porcelain, firing and decoration.
The italian mold expert Florio Bedeschi will be in charge of the first part of the course for the execution of small molds for pearls of different shapes and sizes.
A second part related to the use of the mold with slip and body porcelain, to the firing and decoration, will be with Martha Pachón Rodríguez.
PROGRAM:
- Fully practical lessons with both teachers. - Preparation of the necessary materials for the construction of the mold. - Preparation of the plaster and its use in the making of the mold, preservation of the mold. - Use of slip and body porcelain with the plaster molds. - Methods of pearl decoration. - How to apply on molds, dry and fire avoiding deformations. - The pieces will be finished, decorated and fired.
Teachers: Martha Pachon and Florio Bedeschi Languages: English, Italian, French, Spanish
Download the application form in pdf Download the program in pdf
A sea of melted glass
3 - 4 february 2018
A Faenza, sul finire degli anni 60′, Guerrino Tramonti pratica una tecnica ceramica pittorica denominata “A grosso spessore”. Si tratta di una ceramica che prevede la formazione di uno spessore alto di vetro liquido (cristallina) che allaga entro una superficie piana definita da una bordatura.
Durante il corso saranno fatte esperienze con l’inserimento di smalti, ingobbi, fritte colorate, vetri da vetraria e fili metallici. Saranno impiagate anche le “terre sigillate” che saranno applicate sulle cornici a formare rugginose e brillanti cortecce. Le forme in argilla già biscottata saranno fornite dall’organizzazione.
Programma: Applicazione su biscotto di ingobbi naturali del genere terra sigillata – applicazione al centro delle forme di smalti, vetri in frammenti ecc e copertura di vernice trasparente o colorata in rame con varie tecniche di miscelazione – cottura notturna – descrizione dei prodotti usati – esempio di preparazione di una terra sigillata – nelle foto alcuni esempi di opere realizzate da G. Cimatti
Le forme saranno realizzate seguendo le indicazioni del docente, saranno cotte e consegnate entro i tempi del corso stesso. Il corso di 14 ore inizia alle ore 9.00 del sabato e termina alle ore 16.00 della domenica. Docente: Maestro Giovanni Cimatti
