CRAZY CRETIC GLAZES | Giovanni Cimatti
31 May and 01 June 2025
An innovative technique for the application of ceramic glazes.
Giovanni Cimatti presents, as a preview at Ceramics, one of his innovations in the application of all glazes, at any temperature and on all single-fired clays.
The method involves the use of any commercial and non-commercial glaze that is transformed into a plastic sheet. These glaze films can be cut out and applied to fresh plastic clays that will then receive all the variations in use in the mould moulding process. During the course, particular research will be done on the fragmentation of glazes that will then be pressed by including them in the Faenze clay.
Giovanni Cimatti
Giovanni Cimatti was a teacher at the Art Institute in Siena, director of the ‘T. Minardi’ School of Drawing and Plastic Art in Faenza and teacher at the State Art Institute for Ceramics in Faenza. He began his artistic activity in the 1970s, developing a personal research on the relationship between form and surface by reworking various techniques such as sangam clay decorations, raku, decalcomania, and terra sigillata, and for years he has also been interested in high temperature. He has been invited to important international ceramic art exhibitions, has held solo exhibitions by invitation in Belgium, Japan, Holland, Korea and Switzerland and has participated in cultural exchanges in France, Japan and Germany. He has had solo exhibitions: at the Museum of Contemporary Art at Kyungshung University in Pusan, Korea, at the Ceratekno Gallery in Toki City, Japan, and at the Museo Civico Archeologico in Bergamo.
The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.
Included in the course:
14 hours of teaching | the materials needed for the course | the firings | 2 breakfasts | a gift box (with samples of the materials used during the course)
Teacher: Giovanni Cimatti
Download the programme in pdf format
To confirm your purchase, you must pay the deposit or the full amount by following the procedure below.
Related products
THE MAGIC OF COLORS IN TRANSLUCENT PORCELAIN | Martha Pachon
18-19-20 October 2019
Transparency is one of the most important qualities of porcelain and usually requires a prolonged, precise and very accurate processing to obtain a piece of exquisite beauty highlighted by translucency. The evocative techniques presented in this course will have an important role in the creative process for those who want to build and draw with the light and color in porcelain.
We will use the slip porcelain with and without the use of molds. And above all, the participants will be able to dominate the most important aspects of the porcelain of great thinness: the drying, the impediment of the deformation and the firing.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost:20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop
Teacher: Martha Pachon Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
Discovering Porcelain 2
6, 7 and 8 July 2018
PORCELAIN is a material that requires a prolonged, precise and very accurate processing to obtain pieces of exquisite beauty. The different techniques faced with this material allow us to highlight two important qualities, TRANSPARENCY and SMOTHY to the touch.
This course allows you to develop simple basic techniques, all tricks to avoid cracks, breakages, deformations, the secrets to recover a broken piece, the knowledge of the correct drying and the different firing curves.
We would use body and slip porcelain with and without the use of single and double-fired molds. The purpose is to ENHANCE CREATIVITY WITH THE RIGHT KNOWLEDGE OF ALL RESOURCES IN THE FIELD OF PORCELAIN AND ITS QUALITY OF TRANSPARENCY AND WITHOUT GOING CRAZY!
Program: - Fully practical lessons with a theoretical chapter for basic technology: - Preparation of the slip and body porcelain recipe and percentages. - Slip casting porcelain methods with and without molds. - Methods of achieving transparency. - Method of constructions with slabs or small fragments. - Precautions in drying, firing and finishing. - How to obtain smooth surfaces. - How to glaze with simple means. - How to recover broken or craked pieces. - Firing curves and how to place fragile pieces in the kiln, use of alumina. - Corrections after biscuit and finishing after last firing. The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday. Teacher: Martha Pachon Languages: English, Italian, French, Spanish Download the application form in pdf Download the program in pdfCERAMIC MAZE: THE CLAYS | Vilma Bosi
09-10 Febbraio 2019
Quando ci si avvicina al mondo della ceramica spesso si incontrano le prime difficoltà già nella fase di modellazione proprio per mancanza di competenze nelle tecniche di foggiatura dei manufatti. Gli impasti ceramici e le argille possono essere lavorati in diversi modi e in questo corso di base ci proponiamo di introdurvi ad alcune delle tecniche fondamentali come il colombino, la lastra, la stampatura e il colaggio.
La scelta del tipo di argilla da impiegare ed individuare la migliore tecnica di modellazione per la produzione delle forme sarà di basilare importanza per avere successo nel portare a termine i vostri progetti ed evitare perdite di tempo e di denaro.
Il corso non è finalizzato alla realizzazione di oggetti finiti ma si limita alla produzione in libertà di esperienze costruttive, tattili e di cottura sempre sotto la guida del docente.
14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)
Costo: 250.00€ Docente: Vilma Bosi Scarica il modulo d'iscrizione in formato pdf Scarica il programma in formato pdfCeramic maze: the clays
27 and 28 January 2018
Fare ceramica è una delle arti più affascinanti, ma occorre avere ben chiare alcune regole e metodologie perchè l’autodidattica è un approccio possibile, ma si può perdere tempo e danaro.
La scelta del tipo di argilla da impiegare nella produzione delle forme è di basilareimportanza e da questa dipendono tutte le altre come la foggiatura, gli smalti e la temperatura ottimale di cottura. Si può scegliere a monte quale metodologia impiegare, ma questo non toglie che la conoscenza delle argille e quindi il loro carattere è assolutamente fondamentale.
Durante il corso avrete l’opportunità di toccare una vasta gamma di argille da cui poter far discendere le vostre scelte future. Il corso si limita quindi alla produzione in libertà di esperienze costruttive, tattili e di cottura sempre sotto la guida del docente.
PROGRAMMA: esercizi personali con vari tipi di argilla con e senza inerti sia per bassa che alta temperatura a colombino, lastra e a stampo – finiture possibili durante le varie fasi di asciugatura – ritiri e plasticità – la deformazione delle forme e il suo controllo – Cottura di alcune esperienze a bassa ad alta temperatura. Lezioni di tecnologia ceramica -dimostrazione di foggiatura a colaggio.
Le forme saranno realizzate seguendo le indicazioni del docente, saranno cotte e consegnate entro i tempi del corso stesso. Il corso di 14 ore inizia alle ore 9.00 del sabato e termina alle ore 16.00 della domenica. Docente: Maestro Giovanni CimattiTHE PEARL, FROM THE BEGINNING TO THE END | Martha Pachon
6-7-8 September 2019
A complex and complete course to make the artist independent of creating large and small series of pearls for jewelery in various shapes, sizes and decorations. Making of molds, testing of slip and body porcelain, firing and decoration. The italian mold expert Florio Bedeschi, will be in charge of the first part of the course for the execution of complex but practical molds for pearls of different shapes and sizes.
A second part related to the use of the mold with the slip and body porcelain, how to firing and diferent kinds of decoration, will be with Martha Pachón Rodríguez.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshopTeachers: Martha Pachon and Florio Bedeschi Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
Volcanic landscapes with Rafa Peréz
20, 21 and 22 November 2018
The use of shoot high temperatures with conventional clays in contrast with porcelain, surprising effects for results between the predictable and the unpredictable. Rafa Pérez introduces us to his methods that have made him famous in the field of contemporary ceramic sculpture.
PROGRAM: - Fully practical lessons. - Use of different techniques to obtain a wide range of results. - Use of blocks with different types of clays at the same time. - Alternative chemical treatments to the techniques. - Production of pieces, firing, evaluation and reproduction of new pieces. The 20-hour workshop lasts from 9.00 to 17.00 on Tuesday and Wednesday and from 9.00 to 16.00 on Thursday. Teacher: Rafa Pérez Translator and Assistant: Martha Pachon Languages: English, Italian, French, Spanish Download the application form in pdf Download the full program in pdfIn search of movement with Paula Bastiaansen
21, 22 and 23 September 2018
A workshop in search of movement, rhythm, the absence of gravity, fragility and transparency. Paula Bastiaansen will show you the use of porcelain so light that this body will become almost immaterial.
PROGRAM: - Conference and presentation of slides. - Demonstration of the working method. - Designing an object starting from a drawing. - Preparation and coloring of porcelain. - Preparation of extremely thin porcelain layers. - Cutting of the shapes and construction starting from the drawing. - Use of inlay and stoneware support in construction. - Drying and firing. The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.Teacher: Paula Bastiaansen Translator and Assistant: Martha Pachon Languages: English, Italian, French, Spanish, Dutch
Dowload the Paula Bastiaansen CV
Download the application form in pdf Download the full program in pdf
Full immersion in color
03 and 04 September 2018
From Jasper to Nerikomi in porcelain in two days
One of the finest qualities of porcelain is its sensuality to the touch, plus the surface can be enriched with vibrant colors or sharp contrasts of black and white. There are ancient and complex techniques of the "Neriage"family which, in a modern way, allow you to express yourself through many aesthetic solutions, from a jewel, avessel, a sculpture, an object, or a complex installation. It will be the very intense and rich post-Argillà course,among the techniques dealt with: the Jasper, the Rainbow or Scala, the Zebra, the Nerikomi and the Mosaico with composite tiles.
PROGRAMMA: - Preparation of colored porcelain bodies, recipes and percentages and how to avoid the melting or deforming pieces. - Use of color both into the body and slip porcelain, tricks. - Preparation of shapes, cuts, joints, lines, drawings and compositions for all possible ancient Asian techniques revisited in contemporary way with modern and practical use. - Agate, Jasper, Mishima, Mosaic, Rainbow, Scala, Zebra and Nerikomi techniques. - Cleaning and tricks to avoid color contamination, air bubbles, deformations or cracks. - Preparation of colored slip porcelain and use. - Conformations with net black and white avoiding contaminations of one color with another. - With the use of the mold and without, application of the techniques learned. - How to install the colored pieces inside the kiln avoiding the attachment of the pieces or accidents. - Types of firing, low and high, firing curves for pieces built by colored mix techniques. - Finishes and corrections before firing, after first firing and even after the last high temperature firing. - Recipes and possibility of restoration of broken pieces. Teacher: Martha Pachon Languages: English, Italian, French, Spanish Download the application form in pdf Download the program in pdf
