• English
  • Italiano
  • Newsletter
  • English
  • Italiano
Faenza Art Ceramic Center Faenza Art Ceramic Center
  • Home
  • About us
  • Workshop
  • ARTIST RESIDENCIES
  • CONTEST
  • Services
  • Archive
    • Workshop Archive
    • residence Archive
Search
0 items €0.00
Login / Register
Sign inCreate an Account

Lost your password?

Menu
Faenza Art Ceramic Center Faenza Art Ceramic Center
  • English
  • Italiano
Click to enlarge
Home Archive Workshop Archive THE NEW CREATIVE MOLDING TECHNIQUE | Simon Zsolt József
Artists Residency 2022
Back to products
JEWELRY TECHNIQUES APPLIED TO CERAMICS | Nuria Soley €850.00

THE NEW CREATIVE MOLDING TECHNIQUE | Simon Zsolt József

29-30 June and 01-02 July 2023

The aim of the course is to understand the opportunities to model the forms inherent in molding errors. We will learn how to prepare a multi-part plaster molding form, which allows us to model the internal and external shapes of the final object.

The artist will make a presentation of his works, which will allow to observe and understand this special molding procedure. The second half of the screening will demonstrate the creation of a specific object from the beginning to the final stage.

Participants will start working on one of Zsolt’s objects, through an individual consultation, and later, they will create a different shape, allowing learning from each other’s work. From the preparation of the plaster, the finishing, sawing, sanding and assembly of the plaster form will follow until the casting (porcelain or stoneware).

Simon Zsolt József
Simon Zsolt József studied at the Moholy-Nagy University of Art and Design, Budapest. He is an all-round artist, interested in ceramics, painting, theater and music. The study of movement is the basis of his work. His particular research is concentrated in the process through the molds or modules that give birth to a particular shape, not the programmed one. It uses porcelain for its quality of fragility which grants a sense of lightness, movement and refinement.

The 20-hour workshop lasts from 9.00 to 17.00 on friday and saturday, from 9.00 to 16.00 on sunday and from 9.00 to 12.00 on monday.

Included in the Workshop cost:
23 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch

Teacher: Simon Zsolt József
Translator and assistant: Included
Languages: English, Italian

Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

Add to wishlist
Category: Workshop Archive
Share:
  • Richiesta informazioni
Richiesta informazioni

    If You wish to receive further info, ask a question, etc. please fill the following contact form.


    Related products

    Prehistoric firings

    18 and 19 November 2017

    Per chi ama i modi naturali e vede nella ceramica le varietà espressive che questi possono dare. Porterete tre forme essiccate (non cotte) di misura massima singola cm 20 (altezza) x 10 x 10 a spessore max mm7 realizzate in argille bianche da Raku. Le superfici delle forme potranno essere levigate a pressione ma non ingobbiate. Faremo esperienza di applicazione di argille su argille, di smalti in monocottura e di fiammature con cottura a legna che con la sua casualità ci mostrerà giochi infiniti di trasparenze, neri e lustri.

    Programma: applicazione sulle vostre forme secche di ingobbi del genere Terra Sigillata, sali metallici, vernici e smalti – cottura notturna a biscotto – allestimento del fuoco e inserimento delle forme – cottura a legna – estrazione delle forme a mezza e fine cottura – lezioni di tecnologia a domanda.

    Le forme saranno realizzate seguendo le indicazioni del docente, saranno cotte e consegnate entro i tempi del corso stesso. Il corso di 14 ore inizia alle ore 9.00 del sabato e termina alle ore 16.00 della domenica. Docente: Maestro Giovanni Cimatti
    Scarica il modulo d’iscrizione in formato pdf
    Scarica il volantino in formato pdf
    Add to wishlist
    Read more

    Volcanic landscapes with Rafa Peréz

    20, 21 and 22 November 2018

    The use of shoot high temperatures with conventional clays in contrast with porcelain, surprising effects for results between the predictable and the unpredictable. Rafa Pérez introduces us to his methods that have made him famous in the field of contemporary ceramic sculpture.

    PROGRAM: - Fully practical lessons. - Use of different techniques to obtain a wide range of results. - Use of blocks with different types of clays at the same time. - Alternative chemical treatments to the techniques. - Production of pieces, firing, evaluation and reproduction of new pieces. The 20-hour workshop lasts from 9.00 to 17.00 on Tuesday and Wednesday and from 9.00 to 16.00 on Thursday. Teacher: Rafa Pérez Translator and Assistant: Martha Pachon Languages: English, Italian, French, Spanish

    Download the Rafa Pérez CV

    Download the application form in pdf Download the full program in pdf
    Add to wishlist
    Read more

    Thousand bubbles

    10 and 11 March 2018

    Una delle premesse in campo ceramico, fondamento della didattica e della tecnologia stabilisce che non vi devono essere bolle di aria negli impasti ceramici ma...

    E' anche vero che la presenza di bolle e la stessa porosità delle argille favorisce l'isolamento termico, l'essiccazione e la leggerezza. Con impasti a struttura spugnosa si ottengono forme facilmente lavorabili a secco/crudo per mezzo del taglio, incisione o abrasione, una lavorabilità a biscotto simile a quella dell'osso di seppia, durezza inaspettata dopo la cottura finale e il peso vicino a quello dei poliuretani espansi.

    Da questa scelta parte la possibilità di creare forme legate in particolare al campo della scultura dove i problemi dello svuotamento delle forme viene superato velocizzando le cotture. Infine e in relazione alla dimensione delle microbolle inserite sarà possibile anche l'applicazione di patine, ingobbi  e rivestimenti anche vetrosi.

    Programma: metodi di realizzazione di schiume e la loro introduzione nelle argille - colatura della schiuma argillosa - essiccamento - scultura a secco crudo per taglio/incisione - cottura ad alta temperatura in forno elettrico - sfornata - applicazione di rivestimento tipo smalto oro - cottura a media temperatura - lezioni di tecnologia ceramica.  Per motivi di tempo e aumentare l'esperienza sulla tecnica saranno forniti ai partecipanti anche alcuni blocchetti di argilla porosa già essiccati.

    Il corso di 14 ore dura dalle ore 9.00 alle ore 17:00 del sabato e dalle ore 9:00 alle ore 16.00 della domenica. Docente: Maestro Giovanni Cimatti Scarica il modulo di iscrizione in formato pdf Scarica il volantino in formato pdf
    Add to wishlist
    Read more

    Jewelry in porcelain, Jasper technique

    5 - 6 May 2018

    The suggestive technique of Jasper has an important role in the creative processes for those who want to produce objects that are pleasant to the touch, and with a beautiful and vibrant for the perception of color. A complex technique that requires only accuracy in the process and the desire to create designs using color. To make the most of the potential of this technique, the students will perform different exercises to get to know their fragility, strength and refinement applied to the jewels. The whole process and derivations can be applied beyond, in furnishing objects, sculptures, small series of utilitarian or decorative objects.

    Progam: - Totally practical lessons with a theoretical chapter dedicated to the artists who used ceramics to create jewels. - Preparation of colored slip and body porcelain, recipe and percentages. Creation of organic, geometric or abstract motifs directly on the body porcelain through: - Jasper decomposition methods. - Methods of construction with small tiles, use of colored slip. - How to apply on jewelry molds avoiding cracks and deformations. - Finishing and corrections after biscuit firing. - Methods of positioning of the pieces for high firing. Special features to avoid deformation and breakage. - Finishing and corrections after last firing. - Design for jewelry composition.

    Teacher: Martha Pachon

    Download the application form in pdf Download the program in pdf

    Add to wishlist
    Read more

    Extraordinary japanese constructions with Kazuko Uga

    10 and 11 October 2018

    A complex and fascinating technique focused on the personal artistic work of Kazuko Uga. The construction of the liquid porcelain will allow us to develop contemporary projects of great beauty, refinement and lightness. Course of construction of objects with the use of white and pigmented liquid porcelain. Course of construction of objects with the use of slip porcelain and treatment of surfaces in the Japanese style. Preparation of porcelain, recipes. Drying, firing, glazing, corrections of cracks and deformations.

    The artist will be on show in Faenza from the 9th to the 21st of October as part of the "Japanese October" Festival.

    PROGRAM: Fully practical lessons with a theoretical chapter dedicated to the preparation of slip withe and coloured porcelain. First day: Preparation of liquid porcelain, precautions. Preparation of liquid coloured porcelain, recipes and percentages. Methods of slip casting porcelain. Construction with the small parts, finishing, drying. Firing, kiln management for high temperature. Second day: Finishing and cleaning pieces, tricks and corrections. Evaluation of results. Design of new pieces for both sculpture and use. Video-projection of the artist's works.

    The 14-hours workshop lasts from 9.00 to 17.00 on Wednesday and from 9.00 to 16.00 on Thursday.

    Teacher: Kazuko Uga Translator and assistant: Martha Pachon Languages: English, Italian, French, Spanish, Japanese Download the Kazuko Uga CV Download the application form in pdf Download the full program in pdf
    Add to wishlist
    Read more

    Discovering Porcelain 2

    6, 7 and 8 July 2018

    Basic Course of slip and body porcelain and its transparency

    PORCELAIN is a material that requires a prolonged, precise and very accurate processing to obtain pieces of exquisite beauty. The different techniques faced with this material allow us to highlight two important qualities, TRANSPARENCY and SMOTHY to the touch.

    This course allows you to develop simple basic techniques, all tricks to avoid cracks, breakages, deformations, the secrets to recover a broken piece, the knowledge of the correct drying and the different firing curves.

    We would use body and slip porcelain with and without the use of single and double-fired molds. The purpose is to ENHANCE CREATIVITY WITH THE RIGHT KNOWLEDGE OF ALL RESOURCES IN THE FIELD OF PORCELAIN AND ITS QUALITY OF TRANSPARENCY AND WITHOUT GOING CRAZY!

    Program: - Fully practical lessons with a theoretical chapter for basic technology: - Preparation of the slip and body porcelain recipe and percentages. - Slip casting porcelain methods with and without molds. - Methods of achieving transparency. - Method of constructions with slabs or small fragments. - Precautions in drying, firing and finishing. - How to obtain smooth surfaces. - How to glaze with simple means. - How to recover broken or craked pieces. - Firing curves and how to place fragile pieces in the kiln, use of alumina. - Corrections after biscuit and finishing after last firing. The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday. Teacher: Martha Pachon Languages: English, Italian, French, Spanish Download the application form in pdf Download the program in pdf
    Add to wishlist
    Read more

    LA SINTERRACOTTA | Giovanni Cimatti

    30-31 March 2019

    Monocottura con gres a partire da 1050 gradi

    Una buona ceramica si distingue non solo per come è rivestita e la sua intrinseca arte ma sopratutto per il suo corpo che è forte e compatto quando è realizzata in gres. Oggi è possibile utilizzare un innovativo gres bianco, anche senza raggiungere la faticosa e costosa alta temperatura, ed avere la sinterizzazione di questa argilla in tutti i tipi di forni per ceramica.

    Durante il corso faremo anche esperienza di come sia possibile ridurre ulteriormente i costi facendo una cottura unica di argilla e smalti che viene infatti definita monocottura. Useremo un'argilla plastica che rende facile modellare qualsiasi tipo di forma e particolari medium per l'applicazione a pennello di rivestimenti che saranno campiti anche con l'impiego di maschere adesive. Sara possibile infine anche applicare, in seconda cottura a 900 gradi, un simpatico e innovativo smalto oro.

    Il corso di 14 ore inizia alle ore 9.00 e termina alle ore 17:00 del sabato e inizia alle ore 9:00 e termina alle ore 16.00 della domenica.

    Compreso nel corso:

    14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)

    Docente: Giovanni Cimatti Scarica il programma in formato pdf

    To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

    Add to wishlist
    Read more

    IMMEDIATE TRANSPARENCIES | Martha Pachon

    11-12 May 2019

    Liquid porcelain without use of the mold and in sigle firing

    Transparency is one of the most important qualities of porcelain and usually requires a prolonged, precise and very accurate processing to obtain a piece of fine beauty highlighted by the translucency of the light. This course allows you to develop two simple and immediate techniques that will facilitate and strengthen creativity to develop many projects without the use of large resources and experience in the field of porcelain.

    We will use the slip porcelain without the use of molds and single-firing and the two techniques, one for objects with organic shapes and another for objects with geometric shapes and more precise.

    The 14-hour workshop lasts from 9.00 to 17.00 on Saturday and from 9.00 to 16.00 on Sunday.

    Included in the Workshop cost: 14 hours of teaching | all the necessary materials | firings | nr. 2 brunch lunch | a box with the samples of the materials used during the workshop

    Teacher: Martha Pachon Languages: English, Italian, French, Spanish

    Download the full program in pdf

    To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

    Add to wishlist
    Read more

    Faenza Art Ceramic Center

    Via Pana 34/1, 48018 Faenza – Italy
    Piazza II Giugno 8, 48018 Faenza – Italy
    Phone: +39 0546 46936
    Email: info@facc-art.it
    Highlights
    • 03-04-05 October 2025
      PRACTICAL SEMINAR ON TRADITIONAL KINTSUGI | Krista
      €580.00
    • 10-11-12-13 October 2025
      THREE-DIMENSIONAL PHOTOGRAPHY | Sara Dario
      €650.00
    Categories
    • Workshop
      • Workshop 2/3 Days
      • Workshop 4/7 Days
    • Contests
    • Services
    • Archive
      • Workshop Archive
      • residence Archive
      • Contests Archive
    Useful links
    • About us
    • Contacts
    • Newsletter
    FAENZA ART CERAMIC CENTER 2025 - privacy policy
    • Home
    • About us
    • Workshop
    • ARTIST RESIDENCIES
    • CONTEST
    • Services
    • Archive
      • Workshop Archive
      • residence Archive
    • Wishlist
    • Login / Register
    Shopping cart
    Close
    We use cookies to improve your experience on our website. By browsing this website, you agree to our use of cookies.
    Accept
    • English
    • Italiano