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PRACTICAL SEMINAR ON TRADITIONAL KINTSUGI | Krista
€600.00
20-21-22 October 2023
Practical seminar focusing on the traditional technique of Kintsugi.
the aim is to give historical notions and basic technique of traditional kintsugi, respecting all stages of restoration.
This provides the necessary skills to be able to work independently once back home.
The lessons are totally practical in addition to a theoretical chapter and a DPF (Frequently Asked Questions) session.
It is a different experience for everyone. Respect for this marvellous art of age-old tradition, without the use of shortcuts (glues and chemical fillers), involves many steps that require time and patience.
The 16-hour workshop lasts from 9.00 to 16.00 on Friday and Saturday and from 9.00 to 13.00 on Sunday.
Included in the Workshop cost:
16 hours of teaching | all the necessary materials | nr. 2 brunch lunchÂ
Teacher: Krista Arte Kintsugi
Languages: English and Italian
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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TOUCHING TO SEE | Nathalie Doyen
Course focusing on textures and coloured clays.
This course includes a practical and a theoretical part. The teacher Nathalie Doyen will teach a technique inspired by nature (such as lichens or molluscs adhering to a rock) and through repetitive gestures will lead the participants to a meditative concentration necessary to develop wonderful textures. During this course, the tactile qualities and velvety colours of clay will be examined. Participants will have the opportunity to make both a sample and small objects by practising the technique of artist and teacher Nathalie Doyen. The lessons are totally practical in addition to a theoretical chapter, firing and materials and a DPF (Frequently Asked Questions) session.
Nathalie Doyen Nathalie Doyen was born in Algiers in 1964. She has been exhibiting in Belgium and abroad since 1987. She has been an artist in residence in France, Portugal, Italy, China and Quebec. She teaches ceramics at the Académie des Beaux-Arts in Namur, Belgium. Works on permanent display in Belgium: in Brussels, at the Galerie de l'Ô ; in Mons at the WCC-BF; in Morlanwelz at the Musée Royale de Mariemont. IN QUEBEC: in the Bois de Belle-Rivière regional park. IN CHINA: at the FuLe International Ceramics Art Museum, the FLICAM, Fuping and the "Bien dans son Assiette" commission. Member of the Collège des Alumni de l'Académie Royale de Belgique. Member of Smart asbl; Member of the World Craft Council - French-speaking Belgium. From 1983 to 1987: training at the Académie des Beaux-Arts in Tournai X, under the guidance of Francis Behets and Richard Owzcarek.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshopTeacher: Nathalie Doyen Languages: English, Italian, French
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
SWEET RAKU WITH LUSTRES | Giovanni Cimatti
Sweet Raku is an idea that Giovanni Cimatti came up with in the late 1990s and which differs from so-called Raku in that it has reduced fumigation and the use of chamotte-free clays.
Giovanni Cimatti's sweet raku in some of its declinations. During the course, forms will be made that simultaneously and in a single firing will have the orange colour of 'sealed earths', the transparencies of copper and non-copper crystallines, the lustres in copper reduction in gas kiln firing and the black of Raku smoke.
The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.
Included in the course:14 hours of teaching | the materials needed for the course | the firings | 2 brunch meals (breakfast and lunch) | a gift box (with samples of the materials used during the course)
Teacher: Giovanni Cimatti Download the programme in pdf format To confirm your purchase, you must pay the deposit or the full amount by following the procedure below.
PAPERCLAY NEARLY STONEWARE IN COLOUR | Giovanni Cimatti
Paperclay course developed by Giovanni Cimatti
Dry clay, of all types, can find new life in the Paper Clay technique. In this course we will investigate how to use, in Paper version, Faenza; the Italian clay par excellence fired until it reaches its maximum hardness. Experiences will be made on how to make forms: by casting with liquid clay mixture in cardboard moulds or with assemblages of dry clay slabs. The forms will then be finished with engobes and crystallines applied on raw and fired once in the so-called single firing.
The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.
Included in the course:14 hours of teaching | the materials needed for the course | the firings | 2 brunch meals (breakfast and lunch) | a gift box (with samples of the materials used during the course)
Teacher: Giovanni Cimatti Download the programme in pdf format To confirm your purchase, you must pay the deposit or the full amount by following the procedure below.
CERAMIC MAZE: THE GLAZES | Vilma Bosi
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How much water should be added when preparing the glaze? How should you proceed to make a good application? In this course we want to introduce you to glazing ceramic artefacts by providing some basic specific skills. We will start with the knowledge of the products (Glazes, Transparent glazes, Colours, etc.) and their peculiarities, we will begin with how to proceed in their preparation and we will end with the opportunity to try out the main glazing techniques and a guide to ceramic firing.
In particular, we will deal with application by immersion, spraying with an airbrush and brush glazing with the aid of special vehicles that allow for better application. We will present the necessary steps to obtain effects in the coatings also with applications in several layers that will be made on clay supports, already fired, provided by the organisation.
Finally, we will also deal with the defects that occur in glazing, and in this regard it is possible to bring any finished personal work on which an interesting lesson will be held.
Included in the course: 14 hours of teaching | the materials needed for the course | the firings | 2 brunch meals (breakfast and lunch) | a gift box (with samples of the materials used during the course) Teacher: Vilma Bosi Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
BLACK CERAMIC, CLAY OF ETRURIA | Gabriele Tognoloni
Bucchero is a type of fine and very light black ceramic produced by the Etruscans to make vases. The integral black monochrome is the most striking feature of this type of pottery and the colouring is achieved by a special firing process. Bucchero was used in Etruria from the mid 7th century BC to the first half of the 5th century BC.
The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.
Included in the course:14 hours of teaching | the materials needed for the course | the firings | nr. 2 brunch meals (breakfast and lunch)
Teacher: Gabriele Tognoloni Scarica il programma in formato pdf To confirm your order, you must pay the deposit or the full amount by following the procedure below.
DECORATION WITH GOLD, LUSTRES AND COLOURS | Vilma Bosi
Learn how to work with precious and third-fire colours, easy application, decoration and firing of ceramics.
Third-firing decoration with gold, lustres and colours is a fascinating art that if well managed can be much less expensive than expected. Course participants will learn a correct approach to the technique so as not to waste time and resources.
The course will begin with the knowledge of precious metals (gold and lustres) and their peculiarities, and will then move on to the preparation of the objects to be decorated, up to their application through personal decoration exercises. The course will continue with third-firing colours, and the various steps necessary to personalise already glazed objects with decorations (fillets, lettering, etc.) and backgrounds will be explored.
Participants will be given the opportunity to bring their own works already fired with this technique. On Sunday it will be possible to develop an interesting discussion on problems and defects related to the third fire.
Included in the course: 11 hours of teaching | the materials needed for the course | the firings | nr. 1 brunch meal (breakfast and lunch) Teacher: Vilma Bosi Language: Italian Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
