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DYNAMIC PORCELAIN | Martha Pachon
22-23-24 February 2019
€350.00
Multitechnic Course of Body and Slip Porcelain
Inspired by the new developments of contemporary ceramics, both utilitarian and decorative, sculptural or any application that can be made of this precious material, this course is structured as a laboratory of “multiprocesses” to know and master the basic techniques of slip and body porcelain. Understanding porcelain in a practical, direct, easy and fast way will be the goal of this course. Participants will have at their disposal different techniques, some simple and other complex, with and without the use of molds, with the possibility of glazing also in single firing, with theoretical chapter dedicated in detail to all the questions regarding porcelain: drying, breakage, deformation, firing curves, etc.
THE PARTICIPANTS, BEYOND TO BRING HIS FINISHED WORKS TO HOME, WILL HAVE THE RIGHT KNOWLEDGE OF ALL THE RESOURCES IN THE FIELD OF THE PORCELAIN: ITS QUALITY OF TRANSPARENCY, RESISTANCE, REFINEMENT AND WITHOUT GOING CRAZY!
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost:
20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop
Teacher: Martha Pachon
Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total
amount.
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LA SINTERRACOTTA | Giovanni Cimatti
Monocottura con gres a partire da 1050 gradi
Una buona ceramica si distingue non solo per come è rivestita e la sua intrinseca arte ma sopratutto per il suo corpo che è forte e compatto quando è realizzata in gres. Oggi è possibile utilizzare un innovativo gres bianco, anche senza raggiungere la faticosa e costosa alta temperatura, ed avere la sinterizzazione di questa argilla in tutti i tipi di forni per ceramica.
Durante il corso faremo anche esperienza di come sia possibile ridurre ulteriormente i costi facendo una cottura unica di argilla e smalti che viene infatti definita monocottura. Useremo un'argilla plastica che rende facile modellare qualsiasi tipo di forma e particolari medium per l'applicazione a pennello di rivestimenti che saranno campiti anche con l'impiego di maschere adesive. Sara possibile infine anche applicare, in seconda cottura a 900 gradi, un simpatico e innovativo smalto oro.
Il corso di 14 ore inizia alle ore 9.00 e termina alle ore 17:00 del sabato e inizia alle ore 9:00 e termina alle ore 16.00 della domenica.
Compreso nel corso:14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)
Docente: Giovanni Cimatti Scarica il programma in formato pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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FROM MOULDS TO THE MAGIC SPONGES | Lynn Frydman Kuhn
In this course you will learn how to make one piece plaster moulds for porcelain slip. You will begin by creating a personalized shape. Then we will go though the steps of constructing the mould and preparing the plaster to pour over your unique shape. You will discover the possibilities of the slip casting technique to be able to produce series of porcelain work easily and efficiently. Exploring atypical processes of slip casting via the “Spongeware” technique will also be part of this workshop that encourages personal development and experimentation.
The goal of this workshop is to give the participants the technical knowledge and practical experience to confidently make one-piece moulds and slip cast porcelain.Lynn Frydman Kuhn Lyn Frydman Kuhn, Swiss - American, graduated in Ceramic Design at the CEPV "Center d'ensignure professionel de Vevey" has completed studies at the CERCCO Center for Experimentation and Realization in Céramique Contemporaine in Geneva and at the Ann Arbor University of Michigan by purchasing the Bachelor of Science in natural resources. She has a great experience in the didactic and creative field, member of the IAC International Academy of Ceramics, founder of the "Ateliers Récréatifs" summer art program and director and educator of the "Ceramuse" studio in Switzerland. He has participated in many international exhibitions and artistic residences, among them; FuLe International, Fuping, China and the Korea Ceramic Foundation's international residence program.
The 20-hour workshop lasts from 9.00 to 17.00 on Saturday and Sunday from 9.00 to 16.00 on Monday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop Teacher: Lynn Frydman Kuhn Translator and assistant: Martha Pachon Languages: English, Italian, French, SpanishDowload the CV of Lynn Frydman Kuhn Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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THE NEW CRYSTALLINE GLAZES | José Maria Mariscal
Complete theoretical and practical course on the formulation and application of basic glazes and the processes to create the own glazes with crystals. The program of the Crystal Glazes of the expert José Maria Mariscal provides the formulations of glazes and frits best suited to the cristals, the theory on crystallizations, temperatures, applications and methods of firing, reduction and post-reduction, treatments with acids and the formulation for red backgrounds.
José Maria Mariscal José Maria Mariscal, borns in the ceramics citty La Bisbal d'Empordà, Spain is the son of a potter. After a long experience as a jiggerman, he opened his potter studio in 2003 and experimented with engobes, raku, copper and crystal glazs and collaborated with artists Peter Ilsey and Manolo Sierra. He has participated in various fairs, masterclasses and symposiums in the United States, Europe, Israel and Australia.
I find the perfection of crystalline glazes with the perfect amount of crystalls between the backround and the surface. My forms are classic and conservative and I have the ability to control the placement of the crystalls in the surface. I can’t stop to research in Crystalline glazes and I Love to experiment this technique in my gaz kiln. Now I am working in reduction in crystalline glazes and the most important: developping crystalls in reduction and my first attempts gives me very exiting results.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop Teacher: José Maria Mariscal Translator and assistant: Martha Pachon Languages: English, Italian, French, SpanishDownload the CV of José Maria Mariscal Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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CERAMIC MAZE: THE GLAZES | Vilma Bosi
Imparare a lavorare con gli smalti, l'applicazione facile, la decorazione e la cottura della ceramica.
Quanta acqua si deve aggiungere nella preparazione dello smalto? Come si deve procedere per fare una buona applicazione? In questo corso vogliamo introdurvi alla smaltatura dei manufatti ceramici fornendo alcune competenze specifiche di base. Partiremo dalla conoscenza dei prodotti (Smalti, Cristalline, Colori, etc.) con le loro peculiarità, inizieremo da come si dove procedere nella loro preparazione e termineremo con la possibilità di provare le principali tecniche di smaltatura e con una guida alla cottura ceramica.
In particolare tratteremo l’applicazione per immersione, per spruzzatura con aerografo e la smaltatura a pennello con l'ausilio di particolari veicoli che consentono una migliore applicazione. Verranno presentati i passaggi necessari per ottenere effetti nei rivestimenti anche con applicazioni in più strati che saranno realizzati su supporti in argilla, già cotti, forniti dall'organizzazione: terracotta, terraglia tenera, terracotta di argilla da gres e semirefrattaria da Raku.
Ed infine saranno affrontati anche i difetti che si riscontrano nella smaltatura e a questo proposito è possibile portare eventuali lavori personali finiti sulle cui problematiche sarà possibile svolgere una interessante lezione.
Compreso nel corso:14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)
Docente: Vilma Bosi Scarica il programma in formato pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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FULL IMMERSION IN THE MULTICOLORED PORCELAIN | Martha Pachon
From Jasper to Nerikomi
One of the finest qualities of porcelain is its sensuality to the touch, plus the surface can be enriched with vibrant colors or sharp contrasts of black and white. There are ancient and complex techniques of the "Neriage" family which, with a modern twist, allow to express, through many aesthetic solutions, from a jewel, a vase, a sculpture, an object, to a complex installation. Among the constructive techniques of colored body porcelain, by hand and with mold will be the contemporary revisiting of: L'Agata, Jasper, Zebra, Nerikomi, Mosaico with composite tiles and Mishima.
To take full advantage of the potential of these techniques, all the possible exercises will be carried out to get to know their strength and refinement. In addition, the realization of all the techniques will be followed by the tricks to avoid problems, breakages or deformations, reaching the maximum of beauty in the colors.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshopTeacher: Martha Pachon Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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THE MAGIC OF COLORS IN TRANSLUCENT PORCELAIN | Martha Pachon
Transparency is one of the most important qualities of porcelain and usually requires a prolonged, precise and very accurate processing to obtain a piece of exquisite beauty highlighted by translucency. The evocative techniques presented in this course will have an important role in the creative process for those who want to build and draw with the light and color in porcelain.
We will use the slip porcelain with and without the use of molds. And above all, the participants will be able to dominate the most important aspects of the porcelain of great thinness: the drying, the impediment of the deformation and the firing.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost:20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop
Teacher: Martha Pachon Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
Close
CERAMIC MAZE: THE GLAZES | Vilma Bosi
Imparare a lavorare con gli smalti, l'applicazione facile, la decorazione e la cottura della ceramica.
Quanta acqua si deve aggiungere nella preparazione dello smalto? Come si deve procedere per fare una buona applicazione? In questo corso vogliamo introdurvi alla smaltatura dei manufatti ceramici fornendo alcune competenze specifiche di base. Partiremo dalla conoscenza dei prodotti (Smalti, Cristalline, Colori, etc.) con le loro peculiarità, inizieremo da come si dove procedere nella loro preparazione e termineremo con la possibilità di provare le principali tecniche di smaltatura e con una guida alla cottura ceramica.
In particolare tratteremo l’applicazione per immersione, per spruzzatura con aerografo e la smaltatura a pennello con l'ausilio di particolari veicoli che consentono una migliore applicazione. Verranno presentati i passaggi necessari per ottenere effetti nei rivestimenti anche con applicazioni in più strati che saranno realizzati su supporti in argilla, già cotti, forniti dall'organizzazione: terracotta, terraglia tenera, terracotta di argilla da gres e semirefrattaria da Raku.
Ed infine saranno affrontati anche i difetti che si riscontrano nella smaltatura e a questo proposito è possibile portare eventuali lavori personali finiti sulle cui problematiche sarà possibile svolgere una interessante lezione.
Compreso nel corso:14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)
Docente: Vilma Bosi Scarica il programma in formato pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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CONTEMPORARY SLIP CASTING TECHNIQUES AND DECORATION | Lynn Frydman Kuhn
In this course you will learn to slip cast porcelain and to decorate the pieces using five different techniques that will help you to develop or enlarge your own artistic language. These techniques will inspire you to create endless series of original work that can be easily repeated in your own studio. Exploring atypical processes of slip casting via the “Spongeware” technique will also be part of this workshop that encourages personal development and experimentation.
The goal of this workshop is to give the participants the technical knowledge and practical experience to confidently slip cast and decorate porcelain.Materials for each participants 2 small plaster cup moulds, porcelain casting slip, engobes (blue, red, green, black, yellow), high temp industrial pigments (blue, red, green, black, yellow)
Lynn Frydman Kuhn Lyn Frydman Kuhn, Swiss - American, graduated in Ceramic Design at the CEPV "Center d'ensignure professionel de Vevey" has completed studies at the CERCCO Center for Experimentation and Realization in Céramique Contemporaine in Geneva and at the Ann Arbor University of Michigan by purchasing the Bachelor of Science in natural resources. She has a great experience in the didactic and creative field, member of the IAC International Academy of Ceramics, founder of the "Ateliers Récréatifs" summer art program and director and educator of the "Ceramuse" studio in Switzerland. He has participated in many international exhibitions and artistic residences, among them; FuLe International, Fuping, China and the Korea Ceramic Foundation's international residence program.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop Teacher: Lynn Frydman Kuhn Translator and assistant: Martha Pachon Languages: English, Italian, French, SpanishDowload the CV of Lynn Frydman Kuhn Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
