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TOUCHING TO SEE | Nathalie Doyen

15-16-17 November 2024

Course focusing on textures and coloured clays.

This course includes a practical and a theoretical part. The teacher Nathalie Doyen will teach a technique inspired by nature (such as lichens or molluscs adhering to a rock) and through repetitive gestures will lead the participants to a meditative concentration necessary to develop wonderful textures. During this course, the tactile qualities and velvety colours of clay will be examined. Participants will have the opportunity to make both a sample and small objects by practising the technique of artist and teacher Nathalie Doyen. The lessons are totally practical in addition to a theoretical chapter, firing and materials and a DPF (Frequently Asked Questions) session.

Nathalie Doyen Nathalie Doyen was born in Algiers in 1964. She has been exhibiting in Belgium and abroad since 1987. She has been an artist in residence in France, Portugal, Italy, China and Quebec. She teaches ceramics at the Académie des Beaux-Arts in Namur, Belgium. Works on permanent display in Belgium: in Brussels, at the Galerie de l'Ô ; in Mons at the WCC-BF; in Morlanwelz at the Musée Royale de Mariemont. IN QUEBEC: in the Bois de Belle-Rivière regional park. IN CHINA: at the FuLe International Ceramics Art Museum, the FLICAM, Fuping and the "Bien dans son Assiette" commission. Member of the Collège des Alumni de l'Académie Royale de Belgique. Member of Smart asbl; Member of the World Craft Council - French-speaking Belgium. From 1983 to 1987: training at the Académie des Beaux-Arts in Tournai X, under the guidance of Francis Behets and Richard Owzcarek.

The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.

Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop

Teacher: Nathalie DoyenLanguages: English, Italian, French

Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

PAPERCLAY NEARLY STONEWARE IN COLOUR | Giovanni Cimatti

330.00

15-16 March 2025

Paperclay course developed by Giovanni Cimatti

Dry clay, of all types, can find new life in the Paper Clay technique. In this course we will investigate how to use, in Paper version, Faenza; the Italian clay par excellence fired until it reaches its maximum hardness. Experiences will be made on how to make forms: by casting with liquid clay mixture in cardboard moulds or with assemblages of dry clay slabs. The forms will then be finished with engobes and crystallines applied on raw and fired once in the so-called single firing.

Giovanni Cimatti Giovanni Cimatti was a teacher at the Art Institute in Siena, director of the 'T. Minardi' School of Drawing and Plastic Art in Faenza and teacher at the State Art Institute for Ceramics in Faenza. He began his artistic activity in the 1970s, developing a personal research on the relationship between form and surface by reworking various techniques such as sangam clay decorations, raku, decalcomania, and terra sigillata, and for years he has also been interested in high temperature. He has been invited to important international ceramic art exhibitions, has held solo exhibitions by invitation in Belgium, Japan, Holland, Korea and Switzerland and has participated in cultural exchanges in France, Japan and Germany. He has had solo exhibitions: at the Museum of Contemporary Art at Kyungshung University in Pusan, Korea, at the Ceratekno Gallery in Toki City, Japan, and at the Museo Civico Archeologico in Bergamo.

The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.

Included in the course: 14 hours of teaching | the materials needed for the course | the firings | 2 breakfasts | a gift box (with samples of the materials used during the course) Teacher: Giovanni Cimatti Download the programme in pdf format To confirm your purchase, you must pay the deposit or the full amount by following the procedure below.

PATTERN AND TRANSPARENCY | Guy Van Leemput

450.00

04-05-06 April 2025

Course on very thin and transparent porcelain.

This workshop is an introduction to making wafer-thin bowls with flax reïnforced porcelain on an inflated balloon, as well as discovering how to make a shrinking support on which the wafer-thin bowl can be hung upside down in the kiln. The first day you will start by getting to know this wonderful clay. Guy Van Leemput will teach techniques for applying patterns with the opportunity to practice yourself. Each participant will start a bowl with one of the demonstrated techniques. We will also make the swinging supports that will carry the piece in the kiln. After this first ‘maiden-bowl’ is finished you will be challenged to push your limits further with a second bowl on day 2. New 'advanced' techniques will be shown, for which we will use a mini clay press. The bowls made will be fired on the spot and can be taken home on day 3. The lessons are totally practical in addition to a theoretical chapter, firing and materials and a DPF (Frequently Asked Questions) session.

Guy Van Leemput Guy Van Leemput (1967, Herentals, Belgium) studied mathematics and ceramics. He has been invited several times for an artist-in-residence at the Sanbao Ceramic Art Institute, Jingdezhen, China. His work has been selected for competitions and group exhibitions in his own country and in other European countries, as well as in Japan, China and Australia. At the MINO International Ceramics Competition 2014, his work “Big Anas” won the Bronze Award, it is now in the collection of the Museum of Modern Ceramic Art, Gifu, Japan. Guy was chosen as one of the Ceramics Monthly Emerging Artists 2020. In 2021 he was ‘recommended’ by the Michelangelo Foundation as ‘Master Artisan’. In 2022 he was a key speaker at ‘The Ceramics Congress, Australia’.

The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.

Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 breakfasts 

Teacher: Guy Van Leemput<Languages: English, Italian

Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

CRAZY CRETIC GLAZES | Giovanni Cimatti

330.00

31 May and 01 June 2025

An innovative technique for the application of ceramic glazes.

Giovanni Cimatti presents, as a preview at Ceramics, one of his innovations in the application of all glazes, at any temperature and on all single-fired clays. The method involves the use of any commercial and non-commercial glaze that is transformed into a plastic sheet. These glaze films can be cut out and applied to fresh plastic clays that will then receive all the variations in use in the mould moulding process. During the course, particular research will be done on the fragmentation of glazes that will then be pressed by including them in the Faenze clay.

Giovanni Cimatti Giovanni Cimatti was a teacher at the Art Institute in Siena, director of the 'T. Minardi' School of Drawing and Plastic Art in Faenza and teacher at the State Art Institute for Ceramics in Faenza. He began his artistic activity in the 1970s, developing a personal research on the relationship between form and surface by reworking various techniques such as sangam clay decorations, raku, decalcomania, and terra sigillata, and for years he has also been interested in high temperature. He has been invited to important international ceramic art exhibitions, has held solo exhibitions by invitation in Belgium, Japan, Holland, Korea and Switzerland and has participated in cultural exchanges in France, Japan and Germany. He has had solo exhibitions: at the Museum of Contemporary Art at Kyungshung University in Pusan, Korea, at the Ceratekno Gallery in Toki City, Japan, and at the Museo Civico Archeologico in Bergamo.

The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.

Included in the course: 14 hours of teaching | the materials needed for the course | the firings | 2 breakfasts | a gift box (with samples of the materials used during the course) Teacher: Giovanni Cimatti Download the programme in pdf format To confirm your purchase, you must pay the deposit or the full amount by following the procedure below.

SWEET RAKU WITH LUSTRES | Giovanni Cimatti

330.00

07-08 June 2025

Sweet Raku is an idea that Giovanni Cimatti came up with in the late 1990s and which differs from so-called Raku in that it has reduced fumigation and the use of chamotte-free clays.

Giovanni Cimatti's sweet raku in some of its declinations. During the course, forms will be made that simultaneously and in a single firing will have the orange colour of 'sealed earths', the transparencies of copper and non-copper crystallines, the lustres in copper reduction in gas kiln firing and the black of Raku smoke.

Giovanni Cimatti Giovanni Cimatti was a teacher at the Art Institute in Siena, director of the 'T. Minardi' School of Drawing and Plastic Art in Faenza and teacher at the State Art Institute for Ceramics in Faenza. He began his artistic activity in the 1970s, developing a personal research on the relationship between form and surface by reworking various techniques such as sangam clay decorations, raku, decalcomania, and terra sigillata, and for years he has also been interested in high temperature. He has been invited to important international ceramic art exhibitions, has held solo exhibitions by invitation in Belgium, Japan, Holland, Korea and Switzerland and has participated in cultural exchanges in France, Japan and Germany. He has had solo exhibitions: at the Museum of Contemporary Art at Kyungshung University in Pusan, Korea, at the Ceratekno Gallery in Toki City, Japan, and at the Museo Civico Archeologico in Bergamo.

The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.

Included in the course: 14 hours of teaching | the materials needed for the course | the firings | 2 breakfasts | a gift box (with samples of the materials used during the course) Teacher: Giovanni Cimatti Download the programme in pdf format To confirm your purchase, you must pay the deposit or the full amount by following the procedure below.

BLACK CERAMIC, CLAY OF ETRURIA | Gabriele Tognoloni

280.00

21-22 June 2025

Bucchero is a type of fine and very light black ceramic produced by the Etruscans to make vases. The integral black monochrome is the most striking feature of this type of pottery and the colouring is achieved by a special firing process. Bucchero was used in Etruria from the mid 7th century BC to the first half of the 5th century BC.

Gabriele Tognoloni Born in Gubbio in 1973 and graduated in Sculpture from the 'Pietro Vannucci' Academy of Fine Arts. He leads Unico, in the city of Gubbio, an atelier and gallery where his artistic experience takes shape in ceramics that reveal not only their link with local artistic craft traditions and the genius loci, but also with the direct and indirect input received from some of the most important personalities of Italian and international visual research, reinterpreting these suggestions according to his own highly personal and immediately recognisable language. Many art critics have written about his work, including Italo Tomassoni, Aldo Iori and Antonio Carlo Ponti. Recent exhibitions include one-man shows at the Galleria "lalineaartecontemporanea" in Rome (2016) and at the Centro per l'Arte Contemporanea "La Rocca" in Umbertide (2020), the group show "origine/presente" at Atelier Schwab in Wertheim, Germany (2018), an artistic residency at Atelier A in Apricale (2018), the "Progetto Italia" in collaboration with the artist Alberto Gianfreda at Casa Testori in Milan (2021) and the "Grand tour Limonaia".

The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.

Included in the course: 14 hours of teaching | the materials needed for the course | the firings | nr. 2 breakfasts  Teacher: Gabriele Tognoloni Language: Italian and English Scarica il programma in formato pdf To confirm your order, you must pay the deposit or the full amount by following the procedure below.

CREATIVE MOLDING TECHNIQUE | Simon Zsolt József

450.00

27-28-29-30 June 2025

The aim of the course is to understand the opportunities to model the forms inherent in molding errors. We will learn how to prepare a multi-part plaster molding form, which allows us to model the internal and external shapes of the final object.

The artist will make a presentation of his works, which will allow to observe and understand this special molding procedure. The second half of the screening will demonstrate the creation of a specific object from the beginning to the final stage.

Participants will start working on one of Zsolt's floral objects, through an individual consultation, and later, they will create a different shape, allowing learning from each other's work. From the preparation of the plaster, the finishing, sawing, sanding and assembly of the plaster form will follow until the porcelain casting.

Simon Zsolt József Simon Zsolt József studied at the Moholy-Nagy University of Art and Design, Budapest. He is an all-round artist, interested in ceramics, painting, theater and music. The study of movement is the basis of his work. His particular research is concentrated in the process through the molds or modules that give birth to a particular shape, not the programmed one. It uses porcelain for its quality of fragility which grants a sense of lightness, movement and refinement.

The 20-hour workshop lasts from 9.00 to 17.00 on friday and saturday, from 9.00 to 16.00 on sunday and from 9.00 to 12.00 on monday.

Included in the Workshop cost: 23 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop 

Teacher: Simon Zsolt József Translator and assistant: Included Languages: English and Italian

Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

THREE-DIMENSIONAL PHOTOGRAPHY | Sara Dario

650.00

10-11-12-13 October 2025

Ceramic Screen Printing Course.

In this basic course, participants will take a first approach to screen printing and its use. They will have the opportunity to print on porcelain with screen printing frames engraved with their own pre-selected images. The work will be plate-based and they will be able to create: a first two-dimensional work and one or more works of their own imagination. Students will be supervised from the first prints on porcelain to the design and realisation of a personal work. The lessons are entirely practical in addition to a theoretical chapter, firings and materials and a FAQ (Frequently Asked Questions) session.

Sara Dario He graduated from Venice Art School and graduated in Sculpture at the Academy of Fine Arts in Carrara. During his academic studies, he became interested in photography and printing techniques, not only traditional ones such as black and white and colour, but above all unconventional ones such as photogravure and photo serigraphy, printing on various materials and supports. His aesthetic quest is to combine sculpture and photography and thus give his images a body.

The 27-hour workshop lasts from 9.00 to 17.00 on Friday, Saturday and Sunday and from 9.00 to 16.00 on Monday.

Included in the Workshop cost: 27 hours of teaching | all the necessary materials | firings | nr. 4 brunch lunch | screen-printing frame

Teacher: Sara Dario Languages: English and Italian 

Download the full program in pdf Download the CV of Sara Dario in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

PORCELAIN AND GLASS | Anne Türn

450.00

25-26-27 October 2025

Course on very thin and transparent porcelain.

This workshop is about making pieces that seem impossible. It is about understanding how to use paper-clay porcelain and glass together to form an artwork. . . How to make fragile structures out of porcelain and how to fire them. We will focus on how to make porcelain and glass play together, what conditions we need to give them to control this process at least a little. After firing the porcelain, we will learn different ways to load the kiln to give the glass a chance to melt through and over the porcelain pieces you have made. On the third day we will see the results and discuss them. The lessons are totally practical in addition to a theoretical chapter, firing and materials and a DPF (Frequently Asked Questions) session.

Anne Türn Anne Türn is an Estonian ceramist who has won many international and local awards. Her art has been presented at a variety of exhibitions worldwide. Anne´s ceramic bowls, extraordinary lights and glass works are just a few examples of her work, that are decorating many households. The “Dancing wolves” artwork, an award made by Anne, has been handed over to Looduse Aasta Foto winners for many years now. Magnificent photos of animals and nature that amaze viewers of all ages. Just like Anne´s ceramics, every piece has its uniqueness. Anne Türn was born in Tallinn, Estonia in 1964. She studied in Tallinn Academy of Arts and in the Institut of Keramik, in Höhr-Grenzhausen Germany. There are many awards and exhibitions that Anne has won and taken part of.

The 20-hour workshop lasts from 9.00 to 17.00 on Saturday and Sunday and from 9.00 to 16.00 on Monday.

Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 breakfasts 

Teacher: Anne Türn Languages: English, Italian

Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.