MY FUNNY GLAZES | Maite Larena

In this particular course, you will learn how to formulate or modify the aesthetics of lowtemperature glazes. Low-temperature ceramic objects often need a "cover". which is called a glaze, required to make the ceramic object water-resistant and aesthetically conform to what is desired. What is needed to make a glaze? What frits and raw materials to combine to make it? How to modify a ready-made glaze? And how to proceed from test to test to achieve the desired effect? The teacher Claudio Gardenghi, an expert with over forty years of experience in some of the most important ceramic colour factories, will introduce participants to the world of lowtemperature glazes, also giving space for some personal research. In fact, thanks to the small number of participants, it will be possible both to work on bases provided by the organisation and to analyse, replicate or correct glazes deriving from participants' own research ("as long as they are suitable for low temperature"). All results will then be presented and shared with the class.

Claudio Gardenghi Graduated in Technological Education at the Art Institute for Ceramics 'G. Ballardini' in Faenza. During his working activity, he has developed collaborations with several Ceramic Colour Factories, including Colorobbia and Cover, as well as important ceramic industries such as Cooperativa Ceramica di Imola, La Faenza and Cerdomus. Over the years, he has been able to expand his experience in countless consulting assignments in different countries around the world )Spain, Portugal, Mexico, Venezuela, Brazil, China, South Africa and Iran.

The 32-hour workshop lasts from 9.00 to 17.00 on Wednesday, Thursday, Friday and Saturday and from 9.00 to 13.00 on Sunday.

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

Reproducing a shape for large or small productions, but also creating unique objects from a casting or pressure mould, simplifying the working processes; this is the dream of many ceramists. The trainer Marco Malavolti will present an effective, simple and creative programme for the creation of multi-part casting and pressure moulds. The course will start with an idea and a personal project and will then develop a model which will be analysed before making your own mould. The course is aimed at a group of a maximum of 4 people and this will give participants the opportunity to develop many of their own personal designs, even large ones.

Marco Malavolti After graduating at Ballardini in Faenza, he started working in 1997 as a craftsman and immediately started collaborating with the International Museum of Ceramics, producing several works. At the same time, he also collaborated with Elena Agnini in Munich where he specialised in restoration. Also in 1997, he began teaching at the "T. Minardi" School where he held courses in basic and advanced ceramics. Over the next five years he specialised in moulding, becoming a reference point in Italy on this subject. In 2002, he opened Manifatture Sottosasso, structuring various activities: his own production linked to the world of design, collaborations with artists and galleries (the most important include: Garutti Alberto, Siedlecki Namsal, Previti Riccardo, Simeti Francesco, Ornaghi e Prestinari, Galleria Minini, Galleria Zero, Galleria Continua, Fondazione Officine Saffi, Galleria Nilufar). Also, production for companies and collaborations with museums where he mainly works on moulding (among the most important museums are: Museo Internazionale delle Ceramiche in Faenza, Museo di San Domenico and Museo Gypsotheca Antonio Canova and Museo Carlo Zauli).

The 35-hour workshop lasts from 9.00 to 17.00 on Wednesday, Thursday, Friday and Saturday and from 9.00 to 16.00 on Sunday.

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

During the course, various moulding techniques ideal for large works will be addressed. The first technique involves turning into two or more parts, to be joined while still fresh. During the second technique, the pieces will be joined while leather, and finally the third technique involves adding fresh clay to the turned base, to be moulded in continuity with the base.

A day-by-day programme has deliberately not been specified because the course is structured as a marathon linked to the repetition of gestures and techniques that are indispensable for learning turning for large objects.

Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

Working on wheel is an art that requires time, perseverance and a small group. This basic course, thanks to the experience of Roberto Reali (wheel potter in Faenza for over 50 years), will deal with the main techniques for starting to work on the wheel such as: centring, the cylinder and then the first forms derived from the cylinder such as the bowl, the vase, the cup and the jug.

We have deliberately not specified a programme divided into days because the course is structured as a marathon linked to the repetition of gestures and techniques essential for entering the world of throwing.

Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.