Showing 81–100 of 122 results
THE SHAPES OF PORCELAIN | Etra Masi
Porcelain is a material with many qualities: transparency, whiteness, hardness; to enhance them is to have understood its nature. In this course, different techniques will be addressed, the first step towards being able to move freely within the production processes of porcelain. Casting, plastic modelling, moulding and glazing are the bases from which both objects of use and sculptural masses can be created. Porcelain in liquid form and in the plastic state will be worked with or without the aid of plaster moulds into small shapes, analysing for each phase: time, criticality and potential. Each participant, at the end of the course, will have broadened and clarified his or her knowledge of the physical and technical properties of 'white gold' and will be able to choose the working method most suited to his or her imagination.
Etra Masi He graduated in Sculpture from the Academy of Fine Arts in Naples, where he expanded on the theme of "contaminations" and investigated the relationship between sculpture and architecture. When he arrived in Faenza in 2015, he came into contact with the ceramic tradition, deepening his knowledge of craft techniques. Porcelain becomes his material of choice, he builds his sculptures by modelling them by hand, everything revolves around the enhancement of the tactile dimension, the gesture writes the sign. Her work is featured at trade fairs, exhibitions and international art competitions. In 2021 she is selected for The Blanc de Chine International Ceramic Art Award in Hangzhou Winland Center, China; in 2019 she receives an Honourable Mention for the International Biennial of Ceramic Art of Aveiro, Portugal.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshopTeacher: Etra Masi Languages: English, Italian
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
TOUCHING TO SEE | Nathalie Doyen
This course includes a practical and a theoretical part. The teacher Nathalie Doyen will teach a technique inspired by nature (such as lichens or molluscs adhering to a rock) and through repetitive gestures will lead the participants to a meditative concentration necessary to develop wonderful textures. During this course, the tactile qualities and velvety colours of clay will be examined. Participants will have the opportunity to make both a sample and small objects by practising the technique of artist and teacher Nathalie Doyen. The lessons are totally practical in addition to a theoretical chapter, firing and materials and a DPF (Frequently Asked Questions) session.
Nathalie Doyen Nathalie Doyen was born in Algiers in 1964. She has been exhibiting in Belgium and abroad since 1987. She has been an artist in residence in France, Portugal, Italy, China and Quebec. She teaches ceramics at the Académie des Beaux-Arts in Namur, Belgium. Works on permanent display in Belgium: in Brussels, at the Galerie de l'Ô ; in Mons at the WCC-BF; in Morlanwelz at the Musée Royale de Mariemont. IN QUEBEC: in the Bois de Belle-Rivière regional park. IN CHINA: at the FuLe International Ceramics Art Museum, the FLICAM, Fuping and the "Bien dans son Assiette" commission. Member of the Collège des Alumni de l'Académie Royale de Belgique. Member of Smart asbl; Member of the World Craft Council - French-speaking Belgium. From 1983 to 1987: training at the Académie des Beaux-Arts in Tournai X, under the guidance of Francis Behets and Richard Owzcarek.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshopTeacher: Nathalie Doyen Languages: English, Italian, French
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
THE NEW CRYSTALLINE GLAZES | José Maria Mariscal
Complete theoretical and practical course on the formulation and application of basic glazes and the processes to create the own glazes with crystals. The program of the Crystal Glazes of the expert José Maria Mariscal provides the formulations of glazes and frits best suited to the cristals, the theory on crystallizations, temperatures, applications and methods of firing, reduction and post-reduction, treatments with acids and the formulation for red backgrounds.
José Maria Mariscal José Maria Mariscal, borns in the ceramics citty La Bisbal d'Empordà, Spain is the son of a potter. After a long experience as a jiggerman, he opened his potter studio in 2003 and experimented with engobes, raku, copper and crystal glazs and collaborated with artists Peter Ilsey and Manolo Sierra. He has participated in various fairs, masterclasses and symposiums in the United States, Europe, Israel and Australia.
I find the perfection of crystalline glazes with the perfect amount of crystalls between the backround and the surface. My forms are classic and conservative and I have the ability to control the placement of the crystalls in the surface. I can’t stop to research in Crystalline glazes and I Love to experiment this technique in my gaz kiln. Now I am working in reduction in crystalline glazes and the most important: developping crystalls in reduction and my first attempts gives me very exiting results.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop Teacher: José Maria Mariscal Interpreter and assistant: Included Languages: English, Italian, SpanishDownload the CV of José Maria Mariscal Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
DECORATION WITH GOLD, LUSTRES AND COLOURS | Vilma Bosi
Third-firing decoration with gold, lustres and colours is a fascinating art that if well managed can be much less expensive than expected. Course participants will learn a correct approach to the technique so as not to waste time and resources.
The course will begin with the knowledge of precious metals (gold and lustres) and their peculiarities, and will then move on to the preparation of the objects to be decorated, up to their application through personal decoration exercises. The course will continue with third-firing colours, and the various steps necessary to personalise already glazed objects with decorations (fillets, lettering, etc.) and backgrounds will be explored.
Participants will be given the opportunity to bring their own works already fired with this technique. On Sunday it will be possible to develop an interesting discussion on problems and defects related to the third fire.
Included in the course: 11 hours of teaching | the materials needed for the course | the firings | nr. 1 brunch meal (breakfast and lunch) Teacher: Vilma Bosi Language: Italian Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
CERAMIC MAZE: THE GLAZES | Vilma Bosi
How much water should be added when preparing the glaze? How should you proceed to make a good application? In this course we want to introduce you to glazing ceramic artefacts by providing some basic specific skills. We will start with the knowledge of the products (Glazes, Transparent glazes, Colours, etc.) and their peculiarities, we will begin with how to proceed in their preparation and we will end with the opportunity to try out the main glazing techniques and a guide to ceramic firing.
In particular, we will deal with application by immersion, spraying with an airbrush and brush glazing with the aid of special vehicles that allow for better application. We will present the necessary steps to obtain effects in the coatings also with applications in several layers that will be made on clay supports, already fired, provided by the organisation.
Finally, we will also deal with the defects that occur in glazing, and in this regard it is possible to bring any finished personal work on which an interesting lesson will be held.
Included in the course: 14 hours of teaching | the materials needed for the course | the firings | 2 brunch meals (breakfast and lunch) | a gift box (with samples of the materials used during the course) Teacher: Vilma Bosi Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
MAKING MOLDS FOR CERAMICS | Marco Malavolti
Reproducing a shape for large or small productions, but also creating unique objects from a casting or pressure mould, simplifying the working processes; this is the dream of many ceramists. The trainer Marco Malavolti will present an effective, simple and creative programme for the creation of multi-part casting and pressure moulds. The course will start with an idea and a personal project and will then develop a model which will be analysed before making your own mould. The course is aimed at a group of a maximum of 4 people and this will give participants the opportunity to develop many of their own personal designs, even large ones.
The 35-hour workshop lasts from 9.00 to 17.00 on Wednesday, Thursday, Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 35 hours of teaching | all the necessary materials | perfectly equipped studio Teacher: Marco Malavolti Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
THE ELEGANCE OF MARBLED DECORATION | Vilma Bosi
The veins of marble applied to porcelain.
During the course will be deepened the innovative technique of ceramic decoration that produces the marbled effect, which can be used for both objects of use and sculptures. Participants will realize different unique creative colors on porcelain artifacts provided by the organization. All the working phases will be covered: from preparation to application to firing, leading to the creation of works with elegant colored veins.
The lessons are totally practical in addition to a theoretical chapter, firings and materials and a FAQ (Frequently Asked Questions) session.
Included in the course:11 hours of teaching | the materials needed for the course | the firings | n. 1 brunch meals (breakfast and lunch)
Teacher: Vilma Bosi Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
MY FUNNY GLAZES | Maite Larena
When we approach ceramic glazes, the first impression is of immensity ... where do I start? What are the raw materials? Which glazes will fit my pieces? The development of custom glazes is particularly attractive to most potters. In this course, following a simple methodology, working methods will be taught to plan the development of glazes and obtain a large quantity of them. In this way we will expand the development of colouring, textures, applications and aesthetic results applicable to the author's ceramics. A laboratory for testing ceramic glazes for 1240-60 ° C is proposed, both for firing in an electric kiln and in a gas kiln. An extensive documentation will be provided, which will be examined in presentations and theoretical speeches interspersed with the work of the workshop, as well as computerized archiving systems for ceramic recipes.
Maite Larena Graduated in chemistry at the University of Valencia, Spain and self-taught ceramist. Larena's career is divided between artistic and technical work. In addition to her personal and collective exhibitions with the series of special glazed containers; Maite has been invited to several international conferences as a highly experienced researcher in the field of ceramic glazes and stains. He has published 11 specialized articles on glaze coverings and developed 6 projects subsidized by the Spanish government on ceramic research. And for several years he is the head of the research, development and production of glazes and stains of PRODESCO S.L. and of AICE-ITC, Research Association of Spanish Ceramics Industries. In the field of teaching, for many years, she was professor of the Department of Materials and Ceramic Technology of the Scuola Superiore d'Arte de Manises, Spain.
The 35-hour workshop lasts from 9.00 to 17.00 on Wednesday, Thursday, Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 35 hours of teaching | all the necessary materials | firings | nr. 5 brunch lunch | a box with the samples of the materials used during the workshop Teacher: Maite Larena Translator and assistant: Included Languages: English, Italian, French, Spanish Download the CV of Maite Larena Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
BASIC TECHNIQUES OF THROWING | Roberto Reali
Working on wheel is an art that requires time, perseverance and a small group. This basic course, thanks to the experience of Roberto Reali (wheel potter in Faenza for over 50 years), will deal with the main techniques for starting to work on the wheel such as: centring, the cylinder and then the first forms derived from the cylinder such as the bowl, the vase, the cup and the jug.
We have deliberately not specified a programme divided into days because the course is structured as a marathon linked to the repetition of gestures and techniques essential for entering the world of throwing.
Course times: Daily | 9.00 - 12.00 and 14.00 - 17.00 (6 hours per day); The course starts at 9 a.m. on Monday 26/06 and ends at 5 p.m. on Sunday 02/07. Included in the Workshop cost: 42 hours of teaching | all the necessary materials | perfectly equipped studio Teacher: Roberto RealiDownload the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
THE NEW CREATIVE MOLDING TECHNIQUE | Simon Zsolt József
The aim of the course is to understand the opportunities to model the forms inherent in molding errors. We will learn how to prepare a multi-part plaster molding form, which allows us to model the internal and external shapes of the final object.
The artist will make a presentation of his works, which will allow to observe and understand this special molding procedure. The second half of the screening will demonstrate the creation of a specific object from the beginning to the final stage.
Participants will start working on one of Zsolt's objects, through an individual consultation, and later, they will create a different shape, allowing learning from each other's work. From the preparation of the plaster, the finishing, sawing, sanding and assembly of the plaster form will follow until the casting (porcelain or stoneware).
Simon Zsolt József Simon Zsolt József studied at the Moholy-Nagy University of Art and Design, Budapest. He is an all-round artist, interested in ceramics, painting, theater and music. The study of movement is the basis of his work. His particular research is concentrated in the process through the molds or modules that give birth to a particular shape, not the programmed one. It uses porcelain for its quality of fragility which grants a sense of lightness, movement and refinement.
The 20-hour workshop lasts from 9.00 to 17.00 on friday and saturday, from 9.00 to 16.00 on sunday and from 9.00 to 12.00 on monday.
Included in the Workshop cost: 23 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunchTeacher: Simon Zsolt József Translator and assistant: Included Languages: English, Italian
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
BASIC FACE SCULPTING | Victor Fotso Nyie
This course offers participants the opportunity to understand the complexity of the human face and to acquire the basics of modelling the individual elements that compose it. Participants will study the proportions and differences between faces and try to transfer expressions, emotions and vitality onto them. The aim will be to give voice to inner psychological states in order to visually create narrative nuances. Victor Fotso Nyie will accompany participants along this path, sharing with them his particular working method, which involves sculpting a block of clay that is then cut, emptied and reassembled while maintaining a thickness of 1-2 cm.
The 49-hour workshop starts at 9 a.m. and ends at 5 p.m. from Monday to Sunday.
Included in the Workshop cost: 49 hours of teaching | all the necessary materials | perfectly equipped studio Teacher: Victor Fotso Nyie Translator and assistant: Included Languages: English, Italian, French Download the CV of Victor Fotso Nyie Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
BASIC TECHNIQUES OF THROWING | Roberto Reali
Working on wheel is an art that requires time, perseverance and a small group. This basic course, thanks to the experience of Roberto Reali (wheel potter in Faenza for over 50 years), will deal with the main techniques for starting to work on the wheel such as: centring, the cylinder and then the first forms derived from the cylinder such as the bowl, the vase, the cup and the jug.
We have deliberately not specified a programme divided into days because the course is structured as a marathon linked to the repetition of gestures and techniques essential for entering the world of throwing.
Course times: Daily | 9.00 - 12.00 and 14.00 - 17.00 (6 hours per day); The course starts at 9 a.m. on Monday 10/07 and ends at 5 p.m. on Sunday 16/07. Included in the Workshop cost: 42 hours of teaching | all the necessary materials | perfectly equipped studio Teacher: Roberto RealiDownload the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
BLACK CERAMIC, CLAY OF ETRURIA | Gabriele Tognoloni
Bucchero is a type of fine and very light black ceramic produced by the Etruscans to make vases. The integral black monochrome is the most striking feature of this type of pottery and the colouring is achieved by a special firing process. Bucchero was used in Etruria from the mid 7th century BC to the first half of the 5th century BC.
The 14-hour course starts at 9 a.m. and ends at 5 p.m. on Saturday and starts at 9 a.m. and ends at 4 p.m. on Sunday.
Included in the course:14 hours of teaching | the materials needed for the course | the firings | nr. 2 brunch meals (breakfast and lunch)
Teacher: Gabriele Tognoloni Scarica il programma in formato pdf To confirm your order, you must pay the deposit or the full amount by following the procedure below.
TOUCHING TO SEE | Nathalie Doyen
This course includes a practical and a theoretical part. The teacher Nathalie Doyen will teach a technique inspired by nature (such as lichens or molluscs adhering to a rock) and through repetitive gestures will lead the participants to a meditative concentration necessary to develop wonderful textures. During this course, the tactile qualities and velvety colours of clay will be examined. Participants will have the opportunity to make both a sample and small objects by practising the technique of artist and teacher Nathalie Doyen. The lessons are totally practical in addition to a theoretical chapter, firing and materials and a DPF (Frequently Asked Questions) session.
Nathalie Doyen Nathalie Doyen was born in Algiers in 1964. She has been exhibiting in Belgium and abroad since 1987. She has been an artist in residence in France, Portugal, Italy, China and Quebec. She teaches ceramics at the Académie des Beaux-Arts in Namur, Belgium. Works on permanent display in Belgium: in Brussels, at the Galerie de l'Ô ; in Mons at the WCC-BF; in Morlanwelz at the Musée Royale de Mariemont. IN QUEBEC: in the Bois de Belle-Rivière regional park. IN CHINA: at the FuLe International Ceramics Art Museum, the FLICAM, Fuping and the "Bien dans son Assiette" commission. Member of the Collège des Alumni de l'Académie Royale de Belgique. Member of Smart asbl; Member of the World Craft Council - French-speaking Belgium. From 1983 to 1987: training at the Académie des Beaux-Arts in Tournai X, under the guidance of Francis Behets and Richard Owzcarek.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunchTeacher: Nathalie Doyen Languages: English, Italian, French
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
CERAMIC MAZE: THE GLAZES | Vilma Bosi
Quanta acqua si deve aggiungere nella preparazione dello smalto? Come si deve procedere per fare una buona applicazione? In questo corso vogliamo introdurvi alla smaltatura dei manufatti ceramici fornendo alcune competenze specifiche di base. Partiremo dalla conoscenza dei prodotti (Smalti, Cristalline, Colori, etc.) con le loro peculiarità, inizieremo da come si dove procedere nella loro preparazione e termineremo con la possibilità di provare le principali tecniche di smaltatura e con una guida alla cottura ceramica.
In particolare tratteremo l’applicazione per immersione, per spruzzatura con aerografo e la smaltatura a pennello con l'ausilio di particolari veicoli che consentono una migliore applicazione. Verranno presentati i passaggi necessari per ottenere effetti nei rivestimenti anche con applicazioni in più strati che saranno realizzati su supporti in argilla, già cotti, forniti dall'organizzazione: terracotta, terraglia tenera, terracotta di argilla da gres e semirefrattaria da Raku.
Ed infine saranno affrontati anche i difetti che si riscontrano nella smaltatura e a questo proposito è possibile portare eventuali lavori personali finiti sulle cui problematiche sarà possibile svolgere una interessante lezione.
Compreso nel corso:14 ore di docenza | i materiali necessari allo svolgimento del corso | le cotture | nr. 2 pasti brunch (colazione e pranzo) | una scatola omaggio (con campionatura dei materiali utilizzati durante il corso)
Docente: Vilma Bosi Scarica il programma in formato pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
THE PEARL, FROM THE BEGINNING TO THE END | Martha Pachon
A complex and complete course to make the artist independent of creating large and small series of pearls for jewelery in various shapes, sizes and decorations. Making of molds, testing of slip and body porcelain, firing and decoration. The italian mold expert Florio Bedeschi, will be in charge of the first part of the course for the execution of complex but practical molds for pearls of different shapes and sizes.
A second part related to the use of the mold with the slip and body porcelain, how to firing and diferent kinds of decoration, will be with Martha Pachón Rodríguez.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshopTeachers: Martha Pachon and Florio Bedeschi Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
THE FLUIDITY OF PORCELAIN | Simcha Even-Chen
The recent conceptual, formal and technical research of Simcha Even-Chen is based on the control of porcelain deformation and use of colour. The course will focus on the construction of slabs with "paper porcelain" clays, followed by surface treatments with coloured glass coatings. We will focus on the preparation of materials, coloured glazes and the particular Simcha construction and firing.
Simcha Even-Chen Simche Even-Chen, a recognized Israeli sculptor, is a member of the IAC International Academy of Ceramics. She graduated with a Ph.D. in Biochemistry at the Hebrew University Medical School in Jerusalem. After his PhD in Human Microbiology, he develops a career of research and great successes with his sculptural work of Naked Raku in a modern key. She has been present as an guest artist in personal exhibitions, conferences and symposiums, among them at the Ceramic Contest de Valladolid, Spain: at the Cavin-Morris Gallery in New York, in the Altech Ceramics Triennial of Cape Town, South Africa and at the China Kaolin Grand Prix de Jingdezhen , China. Her works are part of the museum collections such as the Keramikmuseum Westerwal de Hohr-Grenzhausen, the MIC de Faenza, Italy, the Shenhou International Art Museum of Henan, China, Teh American Ceramic Museum of Pomona, CA and the Ceramics Museum of L ' Alcora, Spain.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop | invitation to the solo show of Simcha Even-ChenTeacher: Simcha Even-Chen Translator and assistant: Martha Pachon Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
THE MAGIC OF COLORS IN TRANSLUCENT PORCELAIN | Martha Pachon
Transparency is one of the most important qualities of porcelain and usually requires a prolonged, precise and very accurate processing to obtain a piece of exquisite beauty highlighted by translucency. The evocative techniques presented in this course will have an important role in the creative process for those who want to build and draw with the light and color in porcelain.
We will use the slip porcelain with and without the use of molds. And above all, the participants will be able to dominate the most important aspects of the porcelain of great thinness: the drying, the impediment of the deformation and the firing.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost:20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop
Teacher: Martha Pachon Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
Customised artistic projects
If you are looking for an individual work experience, a training designed and structured according to your own specific needs, the Faenza Art Ceramic Center can offer you plenty of opportunities.
Our studio, our skills and resources are always available for people wishing to deepen their knowledge of ceramics. You will have the possibility to choose both the duration of the project and the topics to be discussed.
- TECHNICAL SUPPORT
- STUDIO
- KILNS
II Edition Ceramic&Colours Award
The Faenza Art Ceramic Center announces the second edition of the “Ceramic&Colours Award”, a ceramic competition with the aim of promoting and enhancing the research in the field of vitreous ceramic coatings for the finishing of ceramic objects.
For 2018 edition the “ceramic with melted glass” effect has been selected.
Prizes 2018 1° PLACE "Ceramic&Colours Award 2018" FABRIZIO CRESCENTINI | ITALY | 51 POINTS 2° PLACE "Prize Franco Santi" JORGE ACEVEDO | CHILE | 47 POINTS Special Mention KARIN PUTSCH GRASSI | GERMANY | 44 POINTS Special Mention ANNE TURN | ESTONIA | 43 POINTS Special Mention EVANDRO GABRIELI | ITALY |43 POINTSSpecial Mention MIRKO GARAVINI | ITALY | 43 POINTS
Special Mention IVANA PETAN | SLOVENIA | 43 POINTS
