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CREATIVE MONOTYPE AND CALCOGRAPHY FOR CERAMICS | Rachèle Rivière
15-16-17 October 2021
This course offers an audience, already in possession of ceramic knowledge, to bring a creative graphic dimension to its pieces. Understanding the direct and indirect printing process will be the main objective. During these 3 days the techniques tackled will be the Monotypes and monochromatic decorations with coloured engobes and metal oxides, Reliefs and Chalcographic prints through linoleum and rhodoids, and the Transfer of photographs with arabic glue.
For each of the techniques discussed, there will be a demonstration accompanied by a theoretical chapter. At the end of this course, everyone will be able to bring their own graphic creativity to the clay uses in their studio, with inexpensive tools using little space. A theoretical print support with recipes and bibliography will be given to each participant.
Rachèle Rivière
Lives and works in the south of France. Ceramist & visual artist Internationally renowned , since 2002 she has been conducting a plastic research centered on memory. Known for her work on ceramic prints, she uses processes from the fields of engraving and photography to develop sculptures, installations or artists books. She has been selected and awarded in many international ceramic biennales.
The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost:
20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshop
Teacher: Rachèle Rivière
Translator and assistant: Martha Pachon
Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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A Faenza, sul finire degli anni 60′, Guerrino Tramonti pratica una tecnica ceramica pittorica denominata “A grosso spessore”. Si tratta di una ceramica che prevede la formazione di uno spessore alto di vetro liquido (cristallina) che allaga entro una superficie piana definita da una bordatura.
Durante il corso saranno fatte esperienze con l’inserimento di smalti, ingobbi, fritte colorate, vetri da vetraria e fili metallici. Saranno impiagate anche le “terre sigillate” che saranno applicate sulle cornici a formare rugginose e brillanti cortecce. Le forme in argilla già biscottata saranno fornite dall’organizzazione.
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Dowload the Paula Bastiaansen CV
Download the application form in pdf Download the full program in pdf
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The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshopTeachers: Martha Pachon and Florio Bedeschi Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.
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The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
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Download the full program in pdfTo confirm your inscription you have to make a bank transfer of a deposit or the total amount.
Thousand bubbles
10 and 11 March 2018
Una delle premesse in campo ceramico, fondamento della didattica e della tecnologia stabilisce che non vi devono essere bolle di aria negli impasti ceramici ma...
E' anche vero che la presenza di bolle e la stessa porosità delle argille favorisce l'isolamento termico, l'essiccazione e la leggerezza. Con impasti a struttura spugnosa si ottengono forme facilmente lavorabili a secco/crudo per mezzo del taglio, incisione o abrasione, una lavorabilità a biscotto simile a quella dell'osso di seppia, durezza inaspettata dopo la cottura finale e il peso vicino a quello dei poliuretani espansi.
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The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.
Included in the Workshop cost: 20 hours of teaching | all the necessary materials | firings | nr. 3 brunch lunch | a box with the samples of the materials used during the workshopTeacher: Martha Pachon Languages: English, Italian, French, Spanish
Download the full program in pdf
To confirm your inscription you have to make a bank transfer of a deposit or the total amount.