To reproduce a shape for large or small productions, but also to create unique objects starting from a mold for collecting or to print by hand, simplifying the manufacturing processes; is the dream of many potters. The artist and teacher Paolo Iori will present in an effective, simple and creative form a program for the production of multi-part molds for casting and pressure molding. It will appear from the idea and from a personal project to develop a model that will be analyzed in order to later realize the own mold.

Paolo Iori Paolo Iori was trained in Sesto Fiorentino with the masters Bruschi and Gigli, who gave them the opportunity to learn precise and elaborate forming techniques, for the manufacture of plaster models and molds. In parallel Iori develops his personal artistic path, which began in London and continued with exhibitions in Japan, Belgium and Italy. He currently works in Belgium and works with artists, art schools for training courses, and designers for creating prototypes on very specific projects. Among them, the "École supérieur des arts visuels" of the Cambre in Brussels, the Academie Royale des beaux arts in Brussels, and the "Center culturelle" in Andenne, "Keramis" at the Louviere.

The 35-hour workshop lasts from 9.00 to 17.00 on Wednesday, Thursday, Friday and Saturday and from 9.00 to 16.00 on Sunday.

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

Inspired by the new developments of contemporary ceramics, both utilitarian and decorative, sculptural or any application that can be made of this precious material, this workshop is structured as a laboratory of "multiprocesses" to know and master the basic techniques of slip and body porcelain. Understanding porcelain in a practical, direct, easy and fast way will be the goal of this course. Participants will have at their disposal different techniques, some simple and other complex, with and without the use of molds, with the possibility of glazing also in single firing, with theoretical chapter dedicated in detail to all the questions regarding porcelain: drying, breakage, deformation, firing curves, etc.

The 20-hour workshop lasts from 9.00 to 17.00 on Friday and Saturday and from 9.00 to 16.00 on Sunday.

Teacher: Martha Pachon Languages: English, Italian, French, Spanish

Download the full program in pdf

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

When we approach ceramic glazes, the first impression is of immensity ... where do I start? What are the raw materials? Which glazes will fit my pieces? The development of custom glazes is particularly attractive to most potters. In this course, following a simple methodology, working methods will be taught to plan the development of glazes and obtain a large quantity of them. In this way we will expand the development of colouring, textures, applications and aesthetic results applicable to the author's ceramics. A laboratory for testing ceramic glazes for 1240-60 ° C is proposed, both for firing in an electric kiln and in a gas kiln. An extensive documentation will be provided, which will be examined in presentations and theoretical speeches interspersed with the work of the workshop, as well as computerized archiving systems for ceramic recipes.

Maite Larena Graduated in chemistry at the University of Valencia, Spain and self-taught ceramist. Larena's career is divided between artistic and technical work. In addition to her personal and collective exhibitions with the series of special glazed containers; Maite has been invited to several international conferences as a highly experienced researcher in the field of ceramic glazes and stains. He has published 11 specialized articles on glaze coverings and developed 6 projects subsidized by the Spanish government on ceramic research. And for several years he is the head of the research, development and production of glazes and stains of PRODESCO S.L. and of AICE-ITC, Research Association of Spanish Ceramics Industries. In the field of teaching, for many years, she was professor of the Department of Materials and Ceramic Technology of the Scuola Superiore d'Arte de Manises, Spain.

The 35-hour workshop lasts from 9.00 to 17.00 on Wednesday, Thursday, Friday and Saturday and from 9.00 to 16.00 on Sunday.

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

This course offers the opportunity to build large-scale vases or sculptures. These could be figurative, abstract or very classic. A large and complete scale of construction techniques will be made available. Participants will learn how to handle large clay slabs, coils, work starting from the solid block and combining all these procedures. The possibilities of finishing will be explored: different media of scraping, filing, beating, brushing, polishing, application of slips or engobes. We will discuss ways to add color with slips, oxides and various firing possibilities and the use of cold glaze. We will start from the demonstration and illustration of large-scale constructions. And later, the participants will be asked to bring a model or a sketch of an individual project and the teacher will evaluate and assist during the construction process. The strong point of this course lies in conveying an open use of clay.

Martin McWilliam Sculptor of great international recognition, with pieces awarded in museums and galleries around the world. He uses traditional methods and firings to create sculptures of great impact, not only for their beauty and technical virtuosity. And his very particular way of dealing with the construction of an object, the vase, breaking down the shape and also working with space, creating a sort of "Trompe-l'œil" of the inverted vase. For 40 years, creativity in ceramics has been part of Martin's daily life. He likes the challenges he is exposed to in workshops around the world, as solutions are sought to realize the ideas of the participants.

The 35-hour workshop lasts from 9.00 to 17.00 on Wednesday, Thursday, Friday and Saturday and from 9.00 to 16.00 on Sunday.

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

How much water should be added when preparing the glaze? How should you proceed to make a good application? In this course we want to introduce you to glazing ceramic artefacts by providing some basic specific skills. We will start with the knowledge of the products (Glazes, Transparent glazes, Colours, etc.) and their peculiarities, we will begin with how to proceed in their preparation and we will end with the opportunity to try out the main glazing techniques and a guide to ceramic firing.

In particular, we will deal with application by immersion, spraying with an airbrush and brush glazing with the aid of special vehicles that allow for better application. We will present the necessary steps to obtain effects in the coatings also with applications in several layers that will be made on clay supports, already fired, provided by the organisation.

Finally, we will also deal with the defects that occur in glazing, and in this regard it is possible to bring any finished personal work on which an interesting lesson will be held.

14 hours of teaching | the materials needed for the course | the firings | 2 brunch meals (breakfast and lunch) | a gift box (with samples of the materials used during the course)

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.

When we approach ceramic glazes, the first impression is of immensity ... where do I start? What are the raw materials? Which glazes will fit my pieces? The development of custom glazes is particularly attractive to most potters. In this course, following a simple methodology, working methods will be taught to plan the development of glazes and obtain a large quantity of them. In this way we will expand the development of colouring, textures, applications and aesthetic results applicable to the author's ceramics. A laboratory for testing ceramic glazes for 1240-60 ° C is proposed, both for firing in an electric kiln and in a gas kiln. An extensive documentation will be provided, which will be examined in presentations and theoretical speeches interspersed with the work of the workshop, as well as computerized archiving systems for ceramic recipes.

Maite Larena Graduated in chemistry at the University of Valencia, Spain and self-taught ceramist. Larena's career is divided between artistic and technical work. In addition to her personal and collective exhibitions with the series of special glazed containers; Maite has been invited to several international conferences as a highly experienced researcher in the field of ceramic glazes and stains. He has published 11 specialized articles on glaze coverings and developed 6 projects subsidized by the Spanish government on ceramic research. And for several years he is the head of the research, development and production of glazes and stains of PRODESCO S.L. and of AICE-ITC, Research Association of Spanish Ceramics Industries. In the field of teaching, for many years, she was professor of the Department of Materials and Ceramic Technology of the Scuola Superiore d'Arte de Manises, Spain.

The 35-hour workshop lasts from 9.00 to 17.00 on Wednesday, Thursday, Friday and Saturday and from 9.00 to 16.00 on Sunday.

To confirm your inscription you have to make a bank transfer of a deposit or the total amount.